Anna is followed everywhere she goes by a creepy pale assailant with a knife. She doesn't seem to be very afraid. She marches coldly through her day, ignoring him, going about her business. Her stalker looks threatening but his manner seems to suggest that he is just a confused social outcast, trapped in an obsessive, repetitive rut that revolves around Anna. It becomes clear that the line between assailant and victim has begun to break down and that the roles in this relationship are now unclear. Anna has begun to rely on her stalker's presence. She even allows him to carry her groceries. Is the albino stalking her or watching over her? Anna obtains a retraining order against her stalker but she still worries about him, huddled outside her home on a cold, windy night. Neither of them seem able to disrupt or end their oddly comforting, creepy codependent relationship.

A fictional investigative documentary looks back on the "assassination" of George W. Bush and attempts to answer the question of who committed the murder. Perhaps less morbid and disturbing to watch now than during Bush's presidency, the film doesn't address Bush's policies at all, instead focusing on the way a nation assigns blame in a time of crisis.

Leslie is left with few options when her husband is sent back to war in the Middle East. A modest amount of help arrives in the form of his brother, Salman, who is less than prepared to care for the couple's two preadolescent boys. When Leslie still can't make ends meet on her own, Salman is forced to find employment, but, with minimal qualifications, his only option is to become a mascot for a digital company by donning a bulbous blue costume.

A conservative yuppie banker finds an unusual piece of clothing in his closet and tries it on. Soon, it has taken over his life.