The ambitious police officer Cruchot is transferred to St. Tropez. He's struggling with crimes such as persistent nude swimming, but even more with his teenage daughter, who's trying to impress her rich friends by telling them her father was a millionaire and owned a yacht in the harbor.

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

A film with emphasis on visuals and music, the plot concerns characters who meet in present time, mainly the male gypsy Jesus, and the female thief and con-artist Odona, who share parallel experiences from lives 2000 years in the past. These stories are juxtaposed.

After getting screwed over by life (again), two losers decide that enough is enough. Using stolen ski masks and stolen toy guns, they take hostages in their local bank, holding them for ransom. Things go well until the hostages learn what's going on, and demand a piece of the action for themselves.

A French family comments on what's on TV tonight.

An illegal gambling den where players can lose millions... and the owners make their fortune.

In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.

Font-aux-cabres is the name of an Andalusian village, benefiting the Commander of the Order of Calatrava, who supports Juana Beltraneja, the pretender to the throne of Castile, against the Catholic Monarchs. The Commander's tyranny is felt throughout the country, subjecting village women and girls to his whims by threat or violence. Laurencia, who dares to refuse him, is kidnapped on her wedding day, and her fiancé Frondoso is imprisoned.