The misappropriation and use of information.

"In this work in progress, which will never be completed, even though he has screened it in public several times, the filmmaker discusses with the writer France Huser the difficulty of filming / women / of letters / and of making a frontal portrait, which will inevitably have to be reworked." - Gisèle Rapp-Meichler

Found footage, edited from international news footage.

Story of a squatter family told by a rat.

Continuation of the essay on the cinema of Louis Skorecki through the relations of some young cinephiles.

I saw people flee in fright before the force of Chromaticité I, during which I remained fastened to my seat, in the clutches of fear. The last image, the screen turns white: I glance at my neighbour, immobilised just as myself. (Bernard Weidmann, Rhizome Hérétique, 1980)

During a vacation, Gilles Deleuze questions the concept of "knowing how to swim" and the relationship with the wave.

This film is an audio interview of Louis Skorecki, filmmaker and film critic for Cahiers du cinéma, by Patrice Kirchhofer and Gérard Courant. This interview, later put into images by Gérard Courant, is centred around the feature film Eugénie de Franval, based on Sade's novella, which Louis Skorecki shot in 1974 and which was awarded the prize of "la porte entrouverte" at the festival of young cinema in Toulon in 1975 by the jury composed of Marguerite Duras, Shuji Terayama and Dominique Noguez.