
Acting
Pascale Montpetit is a French Canadian actress. In 1990 she won a Best Actress Genie Award for Darrell Wasyk's H and in 2002 for Mario Azzopardi's Savage Messiah, 2 Gémeaux Awards, a Jutra Award and a Mons International Festival of Love Films award.
A round of unerotic sexual couplings in Toronto, interspersed with interviews about an impending total eclipse.

Depuis une sérieuse dispute avec son frère Fred, qui lui servait de modèle, Viviane, photographe professionnelle, a mis en veilleuse ses ambitions artistiques. Or, le hasard lui fait rencontrer Guillaume, un jeune mécanicien dont la photogénie naturelle l'inspire. Réticent, ce dernier se laisse convaincre de poser pour Viviane qui, retrouvant son énergie créatrice, fait de lui le sujet d'un projet d'exposition. Bientôt, l'artiste constate que le jeune homme, qui vit toujours chez ses parents, porte les stigmates d'un douloureuse expérience familiale, qui le rend asocial et autodestructeur. Tout en cherchant à percer le mystère de Guillaume, Viviane tente un rapprochement avec son frère.

Set in the summer of 1942 during WWII, the film traces the trajectory of simple people thrown into extraordinary lives, revealing the heart-warming flame of hope and humanity that endures, even in times of war and dispair. As young Julien, his family and a group of friends traverse the French countryside after fleeing the institution they called home, Julien must deal with his father's extreme violence and his mother's rosy fantasies and once again form a family that society tries to forget.

Louise is living in Montreal, unemployed. Her sister Paulette often gives her a hard time. She only gets to see her poetry-quoting married boyfriend Julien once a week. She hangs out a lot at the dance studio in her building... Louise decides to offer an hour of her time to strangers on the street. "An hour of myself", to do whatever they want to do. But one hour precisely, that's it. This leads to many different situations, some funny, some sexy, some sad. Louise talks to someone who later turns out to have been an undercover reporter. The reporter anticipates a bad end for Louise...

Not long after Vincent meets the vivacious Pandore at the Montreal port for a business meeting, the two are soon rolling around in a hotel room. Vincent's ardor cools for the lass when he learns of her ominous secret, and his button-down wife Ariane walks out on him.
Somewhere in Montreal, Antoine toils as a struggling writer. The end of his relationship with Matina causes him to work obsessively on his new novel, making it difficult for him to interact with the opposite sex. One day while moping over Matina, Antoine is hit by a car driven by Charlotte, a married mother of two and the manager of a hip boutique. Despite their differences, an attraction quickly develops between Charlotte and Antoine, and they soon add Elisabeth, a brainy and beautiful teenage prostitute, to their sticky couplings. Meanwhile, Charlotte's husband Joey sits at home and watches dispassionately as his wife abandons him and their kids for epic nights of passion.

This free-form Canadian drama chronicles the dysfunctional lives of six young people living in Montreal during the summer of 1994. All of the characters are in their twenties, and all are dissatisfied with modern life. Rita is hell on rollerblades and makes her free-wheeling living snatching purses and breaking into cars. She camps out in the apartment of her wealthy friend, Roxan who devotes her spare time to caring for the homeless. Lloyd is a skinhead Deejay for an alternative radio station. His self-important, outrageous ranting provides the background for the rest of the stories. Lloyd is in love with Loulou, a barmaid at a punk club. Loulou is involved in a boring relationship with liquor store clerk, Marc; she looks to Lloyd for excitement. Finally there is screwed-up Henriette, who is so busy venting her neurosis in her shrink's office that she has no time to listen to the doctor's advice.

Montreal, 1991. Delphis, 11 years old, grows up in a disadvantaged neighborhood and an unstable family environment. One evening, he decides to take control of his life and becomes The Hurricane. Armed with a lightning bolt on his headband and his middle finger held high, he flees a world that has no place for him. With the police and the Youth Protection Services on his trail, he leaves a mother in distress and has significant encounters in the street. Conquering himself, his adventure is like a road trip, from Hochelag' to Berri, from one family to another. Under the impetus of a hasty adolescence, his freedom thumbs his nose at the indifference towards the marginalized. Social etiquettes burst forth in an assertive tone and sustained rhythm. Between punk music and Marjo, The Hurricane hits us in the face, without waiting to die!

A woman finds out she's pregnant and returns home when the expected father wants nothing to do with her.

Set in the Faubourg à mélasse district of Montreal, Quebec, in the 1950s, the film centres on a conflict between the Roman Catholic Church and a young team of baseball players.
