An Iranian Movie.

An old hermit lives in a slum and wants to teach the alphabet to the children who regularly go there to play. When a child proposes he use the word “Pelican” for the letter ‘P’, the hermit goes to the nearby park to see this animal he has never heard of.

A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.

A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.

A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.

Secrets and mysteries lose power when they are spread too widely. This is what the villagers discover when they invade an old man's vision-inspired shrine to the namelessly holy.

In a remote village in the "land of roses and nightingales" one day surfaces a stranger: William Knox D'Arcy. To enact his plan for exploiting the wealth and the natural resources of this land, he sends after his cronies who descend upon the village in a big balloon. Among them is Cindrella a lady of electrifying beauty who is enlisted to keep the illiterate and lecherous villagers under her charm and make them follow D'Arcy's plans...

Sohrab, a provincial young writer, is lost in the desert on the way to Tehran to get a publication license for his book on old Persian poetry, but the trip involves some bizarre events.

An old hermit lives in a slum and wants to teach the alphabet to the children who regularly go there to play. When a child proposes he use the word “Pelican” for the letter ‘P’, the hermit goes to the nearby park to see this animal he has never heard of.

The film which was shelved for many years focuses on men and women visiting the shrine of Imam Reza, the eighth Shiite Imam, in the city of Mashhad in the North East of Iran.