
Acting
From Wikipedia, the free encyclopedia Paolo Stoppa (6 June 1906 – 1 May 1988) was an Italian actor and dubber. Born in Rome, he began as a stage actor in 1927 in the theater in Rome and began acting in films in 1932. As a stage actor, his most celebrated works include those after World War II, when he met director Luchino Visconti: the two, together with Stoppa's wife, actress Rina Morelli, formed a trio whose adaptions of works by authors such as Chekhov, Shakespeare and Goldoni became highly acclaimed. He debuted in television in 1960 in the drama series Vita col padre e con la madre, reaching the top of the popularity in the 1970s, in particular in the adaption of crime novels by Friedrich Dürrenmatt (Il giudice e il suo boia and Il sospetto) and Augusto De Angelis. As a film actor, Stoppa made some 194 appearances between 1932 and his retirement in 1983: films he appeared in include popular classics such as Miracolo a Milano (1951), Rocco e i suoi fratelli (1960), Viva l'Italia! (1961), Il Gattopardo (1962), La matriarca (1968), Amici miei atto II (1982). He also had a role in the Sergio Leone epic Once Upon a Time in the West (1968) and cameoed in Becket (1964). Stoppa was also a renowned dubber of films into Italian. He began this activity in the 1930s as dubber of Fred Astaire. Other actors he dubbed include Richard Widmark, Kirk Douglas and Paul Muni. Description above from the Wikipedia article Paolo Stoppa, licensed under CC-BY-SA, full list of contributors on Wikipedia.

As Garibaldi's troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life.

While on vacation in Rome, married American Mary Forbes becomes entangled in an affair with an Italian man, Giovanni Doria. As she prepares to leave Italy, Giovanni confesses his love for her; he doesn't want her to go. Together they wander the railroad station where Mary is to take the train to Paris, then ultimately reunite with her husband and daughter in Philadelphia. Will she throw away her old life for this passionate new romance?

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.

A painter's wife becomes ill. A friend comes to comfort him,but he falls in love with her.

The four old friends meet on the grave of the fifth of them, Perozzi, who died at the end of the first episode. Time has passed but they are still up for adventures and cruel jokes, and while they recall the one they created together with the late friend, new ones are on their way, starting right there at the cemetery.

An anthology of four comic moral tales about the hypocrisies surrounding sex in 1960s Italy: frothy young love and office politics in the big city; milk advertisements that begin to haunt an aging prude; a trophy wife enduring her husband's very public affairs; a lucky ticket-holder at a small town fair.

In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow nobles, the poors, the French occupiers trying to modernize society, and even the Pope himself.

Once upon a time a wise and kind old woman discovers a baby in her cabbage patch. She brings up the child and, when she dies, the boy, Totò, enters an orphanage. Totò leaves the orphanage a happy young man, and looks for work in post-war Milan. He ends up with the homeless and organizes them to build a shanty town in a vacant lot. But when greedy developers threaten the community’s land, Totò will need all the help he can get in order to find an impossible way out.

A Grand Slapstick comedy about four buddies serving in the army. Their long-suffering sergeant attempts to whip them into shape but the conflict spirals out of control.

Thomas Becket, Henry II's longtime advisor, finds his friendship with the debauched king corroding when he is unwillingly appointed as Archbishop of Canterbury in an attempt to gain absolute loyalty from the Church.


