Loosely inspired by Shakespeare's Othello, La Palabra de Pablo (Pablo's Word) tells the story of a broken contemporary Salvadorian upper middle class family - struggling with jealousy and revenge.

A young woman experiences the worst life has to over in this depressing but worthwhile Colombian drama tinged with a hint of magical realism. Paola Baldion plays Marina, a withdrawn teenager whose abusive grand-dad houses her in a dilapidated shed. When the old fart pops his clogs, Marina passes into the care of cousin Jairo (Julian Roman), a cheesecake photographer who "hires" her to help him with his gear, and the two end up taking an episodic road trip as they travel to reclaim grandpa's legacy. Unpleasant flashbacks to Marina's tragic childhood ensue. Yep, the good times never end in this one! Known in English as Portraits in a Sea of Lies, this meditation on the 50-year long Colombian civil war - as seen through the grueling experiences of our heroine - won the Jury Award for Best Narrative Feature at the 14th Cine Las Americas International Film Festival.

No Autumn, No Spring depicts modern day Guayaquil City and its invisible generation. Iván Mora Manzano’s punk ballad of rebellion, confrontation and the disenfranchised reveals the tribulations of young men and women who struggle deeply with the transition from adolescence to adulthood.

A wandering warrior protects a small town from marauders in a post-apocalyptic, dark fantasy setting.

Nico is a famous actor in Argentina, but in New York, nobody takes notice. He needs to juggle bartending, babysitting and odd jobs to keep himself afloat. But when old friends from Buenos Aires come to visit, he needs to juggle the image of his old life with the reality of the struggling actor in New York City.

All over the world, love stories are written on the screens of mobile phones, but what happens when your privacy becomes public?

A quiet and reticent teen returns to her village and painful past.

Based on true events, "Lady of Guadalupe" is a moving religious discovery juxtaposing folklore and the present day. Historically significant recreations are used to illustrate the origin of her prevalent and powerful symbolism of Mexican identity and faith. When a young and ambitious reporter (Guillermo Iván) is assigned an article on faith, he finds himself enmeshed in the legend of Juan Diego and Our Lady of Guadalupe. Skeptical of miracles and the importance of modern-day Christianity, the reporter's investigation takes him from cynic to true believer as his personal limits are tested.

Luz, a young pregnant Central American migrant, accidentally finds shelter in the house of Norma, a North American conservative woman.