Nelly has escaped from her wealthy and controlling family. As she dances in a strip club, she meets Markos, a small yet charismatic gangster, who helps her run away from her stepfather’s henchmen. Markos soon becomes her protector and lover. He brings her into Broadway, Athens, an abandoned entertainment complex squatted by a small community of dancers, tramps, thieves and a captive monkey. For a while, everything goes well, even when Broadway hosts a mysterious man, injured and covered with bandages, wanted dead by Athens’ most dangerous mafia. However, when Markos gets arrested and imprisoned, the newcomer will take an unexpectedly important place in the gang.

Following the mystery of their deaths, Father and Son are reunited in Tranzit, an arid and desolate non-place, a kind of contemporary Dantesque limbo regulated by abstract mathematical principles, where the dead face a dilemma: accept the dematerialization process or remain in indeterminacy forever. Here the memories of the Father, are confused with those of the Son, rekindling old conflicts. Trying to bring order to the past and shed light on what led to his death, the Father relies on his knowledge of mathematics to pursue a crazy idea: to come back to life.

In a tale rooted in ancient Greek tragedy, a patriarch must decide the fate of his son and the boy he raised when a long-standing unneighbourly feud turns to murder.

outa is a pigeon breed that flies all the way up to the clouds, then dives at 230 km/h and slows down just before reaching the ground. Christos is a teenager who lives in a disadvantaged neighborhood of Athens. He has to find a way to avoid conflict with his father who just got home from prison, just like the pigeons he loves avoid collision.