Electromagnetic Environments is a solo performance by artist Paloma Kop, who works with expanded media processes to produce generative time-based work, combining electronic and digital systems with analog and material processes. This experimental performance will combine live video and audio synthesis, transmissions and interference, and echoing synesthetic landscapes, adapted to the medium of online streaming. Patterns and behaviors produced through video feedback systems can resemble natural phenomena such as fractals and fluid dynamics, while radio signals which pervade the space we inhabit are collected, made audible, and manipulated in space and time. All these elements combine to form an ambient, evolving audiovisual environment.

In collaboration with Andrei Jay

One channel HD video recording from rescanned oscilloscope display of Jones Raster Scan. Stereo sound. 2019.

In collaboration with Andrei Jay

In collaboration with Andrei Jay

Full recording of my solo a/v performance on April 19, 2019 at Alfred University School of Art+Design.

Decoherence is an audiovisual composition made with sound waves, water, and granular and spectral processing. A 60 cycle drone from a speaker cone below creates subtle patterns on the liquid surface, which grows increasingly turbulent. This piece explores interference patterns, the interplay of macro and microscopic patterns, chaos and continuua.

Decoherence is an audiovisual composition made with sound waves, water, and granular and spectral processing. A 60 cycle drone from a speaker cone below creates subtle patterns on the liquid surface, which grows increasingly turbulent. This piece explores interference patterns, the interplay of macro and microscopic patterns, chaos and continuua.

SPACE(TIME) THRESHOLDS

Behind the mask of Mardi Gras, something sinister stalks the streets of New Orleans. Filmed on-location during the final days of Carnival, a group of friends is preyed upon by a mysterious killer.