Four young men re-locate from a village in India, to a big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accomodation with the Mishra family. Complications arise when the two "women" fall in love with Mishra's two lovely daughters - with results that can only be described as hilarious.

Oriental fantasy derived from classic Parsee theatre. The heir to the Yemeni throne, Prince Parviz, is falsely imprisoned by his stepmother who claims power. Parviz receives a magic dagger from a mystic sufi fakir to liberate himself and his people. The dagger makes him invisible. He kills the Apeman and the genii, rescues the captive Princess Parizad and, finally, overwhelms the soldiers sent to recapture him. The king learns the truth and repents.

Bag-e-Misar follows a tussle between royalty across Damascus and Misar (in present day Iran)