Young doctor Garondet is summoned by renowned Professor Orloff. At Orloff's castle, Garondet discovers that the mad scientist has created an invisible yet murderous apeman.

Leonor and Engracia suddenly become widows, but both will take their new social situation in different ways. When they meet Jose Luis and Eugenio, all the plans made will change with the intention of reaching the altar.

A story of love and heartbreak. Of hope and despair. Of passion and abandonment. After two years together, Juan has left Marita, a mature woman that has kept him until he has found Adela, another woman from whom get her money.

A Madrid theater is looking for girls for a new company of revue shows. One of the girls presented is Catalina, very sawy and restless, daughter of a seamstress of the theater. Another candidate is an innocent girl who studies ballet abroad and is the daughter of a famous star, Cecilia Alcaraz. Soon the two girls become good friends and Catalina intends to succeed Alice. Alicia's success also benefits her friend making them the most famous theatrical couple times. But with success comes love, which is also a major impediment to their careers.

The love that a mother feels justifies everything, a mother is capable of murder because of her child, she kills, she steals, she works the corner or any other thing that keeps her child alive; the love that a mother feels, brings up the better and the worst in every woman. Ursula (Ana Polvorosa) is a mother and she is living two tragedies at the same time, a zombie invasion and the fact that her husband left home with their son, Nicolas. To Ursula, the zombie invasion is just “an anecdote” because she, as a mother and as a woman, only cares about her missing child, helpless and alone in a world surrounded by green and crazy beings.

Three friends who work together in an office have to stay in a bigger city without their wifes. Therefore they want to take the chance and have some fun joining three girls from Sweden.

Mónica has just died in a traffic accident. Along with her was another man. Pedro Bernáldez, painter and lover of Mónica, was so in love with her that he came to change his painting style for the one indicated by his lover. Now that Mónica has died, Pedro will investigate what relationship the deceased had with each other and begins to discover many things.

Divided into three grotesque stories of absurd humor that, as the title suggests, are based on life, love and death.