At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time with their daughter and he has yet to make a commitment to his girlfriend. At his lowest point, a minor heart attack reunites him with Juan Carlos, a childhood friend, who helps Rafael to reconstruct his past.

Prosecutor Alberto Nisman was investigating the responsibility of the Argentine government and Iranian officials in the attempt against the Argentine Israeli Mutual Society (AMIA) when, hours before presenting the evidence of that pact, he was found dead.

Prosecutor Alberto Nisman was investigating the responsibility of the Argentine government and Iranian officials in the attempt against the Argentine Israeli Mutual Society (AMIA) when, hours before presenting the evidence of that pact, he was found dead.

Prosecutor Alberto Nisman was investigating the responsibility of the Argentine government and Iranian officials in the attempt against the Argentine Israeli Mutual Society (AMIA) when, hours before presenting the evidence of that pact, he was found dead.

Prosecutor Alberto Nisman was investigating the responsibility of the Argentine government and Iranian officials in the attempt against the Argentine Israeli Mutual Society (AMIA) when, hours before presenting the evidence of that pact, he was found dead.

Prosecutor Alberto Nisman was investigating the responsibility of the Argentine government and Iranian officials in the attempt against the Argentine Israeli Mutual Society (AMIA) when, hours before presenting the evidence of that pact, he was found dead.

Prosecutor Alberto Nisman was investigating the responsibility of the Argentine government and Iranian officials in the attempt against the Argentine Israeli Mutual Society (AMIA) when, hours before presenting the evidence of that pact, he was found dead.

The arrival of the Russian State Circus in Argentina in 1966 was an unprecedented event. For the first time, Soviet artists crossed the Iron Curtain into Latin America. Their art was unsurpassed, until in the 1990s, with the perestroika and the Soviet collapse, the circus also disappeared.

It chronicles the encounter between Graciela Fernández Meijide, whose son Pablo was kidnapped in 1976 by the military dictatorship and who became a human rights defender; and Héctor Ricardo Leis, a former member of the Montoneros who went into exile after the coup d'état in Brazil. Throughout the documentary, both reveal their memories, experiences, and reflections on the years of lead in Argentina.