The internationally acclaimed director and recipient of the Erasmus Award in 2007, Péter Forgács created a documentary exploring the fate of hundred thousands of Hungarian men and women who arrived to the United States between 1890 and 1921. To tell their sagas Forgács weaved this grand epic from the early American cinema, found footage, photographs and interviews. The film reveals the difficult moments of arrival, integration and assimilation, which eventually fed the happiness of the later generations and their fulfillment of the American dream.

Filmmaker Péter Forgács compiles home movies by a family of Catalan industrialists who have documented their lives as their homeland is besieged by labor unrest, the collapse of the monarchy, the rise of anarchism, and ultimately the Spanish Civil War.

In this travelogue, Forgács documents the Jewish exodus from Slovakia just before the beginning of World War II. In two boats, a group of nine hundred Slovak, Austrian Jews tried to reach the Black Sea via the river Danube, in order to get to Palestine from there. Forgács based his film on the amateur films of Captain Nándor Andrásovits, the captain of one of the boats. He filmed his passengers while they prayed, slept and even got married. At the end of this journey, it is clear that the boat will not return empty: a reverse exodus takes place, this time of repatriating Bessarabian Germans, fleeing to the Third Reich because of the Soviet invasion of Bessarabia

How does the process of film-making—like a huge carpet, of a 250 years saga of the Hungarian von Höfler family—render the chosen subject topical, re-liveable? And what is the topical signifier? is it merely a fleeting (a momentary) décollage — which is neither a piece of news, nor official history?

The private diary of a couple in a ghostly Budapest before, during and after the Second World War, between poetry and historical re-enactment.

The private diary of a couple in a ghostly Budapest before, during and after the Second World War, between poetry and historical re-enactment.

Forgacs's Tractatus is composed of seven short video essays that refer to one of Wittgenstein's most influential works, Tractatus Logico Philosophicus, first published in 1921.

Anthology film made as an act of protest against Hungarian government of Viktor Orban.

Anthology film made as an act of protest against Hungarian government of Viktor Orban.

Peter Forgacs' Bibo Breviarium (Istvan Bibo's Fragments) is a look at Istvan Bibo, one of the most revered Hungarian philosophers and politicians of the 20th century. The images in the film consist of found footage from the man's life, while the audio consists of an ongoing monologue that alternates between biographical information on the man and quotes from his writings. Paul Merrick performs the narration on the English translation of the film.