Childhood was complicated for Yoshida and he faces Japanese society as an outsider after his return from London alongside his parents. He feels displaced and frustrated, but soon finds new strength through hip-hop. Under the name of SEEDA, he starts to rap and deals drugs to produce his music while surviving in Tokyo. When he realizes that his new life as a rapper can’t simply undo the connections to his family, it’s too late.

An epidemic is spreading through the towns of Edo – it spreads via people, and if you get the fever, your face will turn red like a demon, and then you will die. There is no cure in sight, and people’s anxiety is increasing.

Movie contains the stories of three people: Suzuki (Toma Ikuta), Kujira (Tadanobu Asano) and Semi (Ryosuke Yamada). Suzuki is a former middle school teacher. His girlfriend was killed, which led him to quit his job and attempt to take revenge on her murderer. To do so, Suzuki has to infiltrate the underground world of criminals. Kujira is a contract killer for hire. He makes his targets fall into confusion and eventually commit suicide. Semi is a contract killer who uses the knife to take out his targets.

'Roadside Fugitive' follows Mighty's non-successful story after '8,000 Miles 1,' at the end of which he parts company with Ikku and Tom, members of his hip hop group, 'Sho-Gung,' and leaves for Tokyo. Will Mighty be able to keep faith in the tiny little soul burning somewhere inside him?

Set in the year 2019 in Japan. In order to crack down on free expression, a new law is passed, which allows for the government to create an armed force to find and destroy objectionable printed material. Meanwhile, to oppose this oppressive crackdown, the Library Force is created. The Library force, including instructor Atsushi Dojo and Iku Kasahara, work to protect the libraries. A fierce battle then ensues between these two groups.

High school student Noguchi learns that there isn't a single male softball team in the nearby area. He figures if he starts up a softball team, they are sure thing to go to the national tournament. He then persuades his friend Onitsuka to help him start a softball club. Once Noguchi and Onitsuka rounds up enough players, they teams preps to win one all important game in the tournament.

Garo: Soukoku no Maryu (lit. Blue Cries of the Demon Dragon) is the second film to the Garo series. The film serves as an epilogue after Makai Senki and leads up to The One Who Shines in the Darkness. The story continues after the events of Makai Senki. Having made a contract with Gajari, Kouga Saejima honors his end of the deal by traveling to the Promised Land to retrieve a part of Gajari: the Fang of Sorrow. After Kouga defeated Sigma, Gajari transported him to the Promised Land, however, his quest had unexpected results.

In postwar Japan, Godzilla brings new devastation to an already scorched landscape. With no military intervention or government help in sight, the survivors must join together in the face of despair and fight back against an unrelenting horror.

Kiyotaka Sato (Shuhei Nomura) is a university student. He is sociable, but he looks like he doesn't have interest in those around him. During his summer vacation, Kiyotaka Sato plans to get his driver's license to impress schoolmate Matsuda (Yukino Kishii). At this time, a yakuza boss (Ken Mitsuishi) orders Todoroki (Kento Kaku) to get his driver’s license. Todoroki doesn't show his feelings outwardly. Later, Todoroki drives a car without a driver’s license and he hits Kiyotaka Sato. To cover up the accident, Kiyotaka Sato is placed in a car and taken to away. He arrives at an unofficial driving school. The driving school is run by the Uehara family. There, Kiyotaka Sato and Todoroki learn that they graduated from the same high school. They spend their summer at the driving school.

Yoshito Hiruma (31) (played by Amane Okayama), a part-time university lecturer, is forced to take care of his 10-year-old nephew, Kota, after being left in charge by his pregnant sister. However, before long, Kota disappears. When Yoshito finally manages to find him, he discovers that Kota has become disillusioned with reality and cryptically expresses his desire to “go somewhere else, anywhere but here.” Yoshito resonates with his words, and as their bond deepens, they delve further into Yoshito’s field of expertise—pessimism. Together, they embark on an unusual cohabitation, finding a peculiar sense of enjoyment in their shared pessimism. But eventually, the worst tragedy imaginable befalls each of them.