A dying scholar gathers 12 young men at his remote manor to explore death through philosophy, ritual, and transgressive acts—blurring the line between thought and obsession.

In the mist room, in the dim light, the steaming heat is floating and overflowing. The flickering male bodies, sucking each other's desire and loneliness, the more squeezed, the thirsty. You seem to have entered the forbidden area by mistake in formal attire, falling between dream and waking, staring, and being stared at. You can't remember how you came here or how to get out. Theater and video director Zhou Dongyan once again touched the life experience of gay men’s community culture that is hard to articulate but difficult to cut. This time, he moved the poetic lens language into VR, taking you and me to the male sauna, peeling off the layered desires, and exploring the hidden love in some kind of lovelessness.

Yang Ke, a Beijing Opera actor, is fatefully driven into the underworld of masculine sex workers, and becomes a class of his own. He finds himself on a roller coaster between heavenly love with both men and women, and a living hell ensnared by devious villains and hypocrites. Despite his faith, endeavor and willingness to give, he remains a prisoner to his karma. Hell awaits when heaven seems near, and the ultimate truth is revealed only in a heartbreaking moment from which there is no return.