The Bride Who Has Returned From Hell (or Bride in Hell) is an adaption of The Mistress from Melynn, a 1960 novel by Victoria Holt. The story begins when a yacht is lost at sea. Then a telephone call between male protagonist Wang Yiming (Ke Junxiong) and his cousin Gao Fengjiao (Liu Qing) reveals that Wang’s wife has perished while eloping with a neighbor. After female protagonist Bai Ruimei (Jin Mei) learns that her older sister Ruiyun – Wang’s wife – has died, Ruimei changes her identity and applies for a job as a tutor to Wang’s daughter Shuyuan in a bid to solve the mysteries surrounding her sister’s death.

An anti-communist propaganda film by CMPC

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Hsiao-yueh and her widowed father receive a flock of genetically-improved ducks from the state agricultural council to participate in a breeding experiment.

In an attempt to seize the famous Tai Hsuan Book of Swords the outlaws Wang, Ku, Lu and Pai Feng attack the Hsia Tien Tsai Mansion and slaughter all righteous opponents. Only Hsia’s baby daughter survives and the dying mother leaves a message in blood to urge her to take revenge once she is grown up.

Northeastern China is infested with bandits. Hsiao Kai (Paul Chang Chung), a wandering knight, captures a white horse from thieves. His skilful handling of the horse earns his admiration of fellow traveler Chu Ching Hsu (Wong Chung Shun). They arrive at Lo Lung Kow, where the villagers hunt for a living and are constantly terrorized by bandits. Grocer Ting Tze Pao (Ngai Ping Ngo) returns from his negotiations with the bandits with bad news. They intend to collect furs from the villagers at a fixed price. Village leader Mu (Yuen Sam and his daughter Tsui Ying (Pat ting Hung) run a tavern. She wonders how the white horse belonging to a Sinkiang youth named Sha Yi Ti (Man Ling) is now in the possession of Hsiao Kai.

Peigang, his family's only son for three generations running, is to be executed on account of larceny, but not without the intervention of his grandmother.