A re-edited U.S. release of the 1958 West German film Mit Eva fing die Sünde an (Sin Began with Eve), The Bellboy and the Playgirls (1962) features roughly fifteen minutes of new color footage directed by Francis Ford Coppola and edited by Jack Hill. The added material follows a bellboy who dreams of becoming a private detective and spies on a group of women at the hotel—lingerie sales representatives who give him more than enough to investigate.

Norbert Lang inherits a hotel and has to deal with a multitude of problems at the end of the year. There's the pushy singer who wants to get closer to him than he'd like. The staff quickly takes off after arguments. When the heating starts acting up, he has to hire a repairman. But the repairman shows up with unexpected backup and causes even more chaos.

Countess Franziska "is kidnapped" by a band of robbers. However, her father is not willing to pay the ransom so Franziska changes sides.

Peter brings his new girlfriend Anja up to C. von Ficker's (i.e. Fucker's) flat, but their tryst is repeatedly disturbed by various events in the building. To calm the jittery Anja, Peter relates a series of erotic stories to put her back in the mood.

Andreas, a young German student comes to Hungary on an exchange programme. In the Hungarian village he falls in love with the stationmaster's daughter Piroschka and spends much of his time with her. They have an enchanting summer until Andreas gets an invitation to join another young woman at a nearby resort. Piroschka is jealous and follows him there, causing trouble. It takes a long time for Andreas and Piroschka to even talk to each other again. When Andreas has to leave Hungary at the end of his holiday, he is determined to return some day.

Ursula and Hanne Brandner are bright twin sisters who couldn't be more different. Hanne is content to drive the family tractor and tend the fields, but Ursula wants to dance in the big city, which leads headlong towards tragedy.

On the way from Mexico City to Caracas, a plane crash-lands on an uninhabited island. The criminal Mario Bertelli terrorizes the other survivors. He prevents them from sending emergency signals.

Unscrupulous girl traders transport unsuspecting blonde girls from a nightclub in Amsterdam to a brothel in Havana. The young journalist Verena Linkmann wants to expose the slave trade, disguises herself as an available dancer.

During rehearsals for a provocative stage play, director Gregor clashes with young actress Dinah, who resists performing an intimate love scene. To challenge her views, he guides the cast through a series of imaginative theatrical tableaux spanning the history of love, art, and desire. As rehearsal and fantasy blur, past ideals confront modern attitudes, forcing the actors to reconsider what intimacy and morality mean both onstage and off.