In the early 1970s, Otto Schily and Hans-Christian Ströbele were part of the group of attorneys of the left-wing extraparliamentary opposition in Germany. In this function, they, for instance, represented the militant Horst Mahler in court. One thing that united all three of them was their goal to create a new and different republic. They viewed Federal Germany as an oppressor of political freedom and as a vassal of the United States. Today, Schily is a former Federal Minister of the Interior with a firmly conservative stance and Ströbele is a well-respected member of the left wing of the Green Party in the German parliament while Mahler has again come into conflict with the law because of his extremist right-wing activities.

He is considered one of the most important athletes in football history. Franz Beckenbauer was the shining light of German football, won everything there was to win in club football as a player and coach, became world champion as a player and coach and, as the father of the "Summer Fairy Tale", brought the 2006 World Cup to Germany. He was also a pioneering advertising icon and an occasional singer and actor. The man whom everyone in his home country simply calls “Kaiser” shaped the image of the Federal Republic of Germany like no one else. The legendary footballer seems like a national treasure today, but little is known about the person behind the ball artist. Public knowledge of his private life is shaped by his long-term relationships with four women. The documentary, completed shortly before his death, uses archive material and prominent contemporary witnesses from sports, politics and entertainment to weave both facets into a look at a life's work with light and shadow.

I was on a ship – this sounds like a novel: I had just embarked for Venezuela on June 2, 1967 as the Shah of Iran was arriving in West Berlin. There were protests, a student was shot, and a new form of opposition movement came into existence. The idea for this film came to me while I was still aboard the ship. The film is structured like a commercial. The film takes a metaphor literally: words can become weapons. However, it also shows that these weapons are made of paper. The weapon spoiled everything for the Shah and his wife, they are wearing paper bags on their heads with faces drawn on them – the kind of bags worn by Iranian students during demonstrations to hide their identity from the Savak, the Iranian Secret Service. When I showed this film to the audiences in the late 60s, it was highly praised. I think people understood then that over obviousness is also a form of irony. This capacity was lost a few years later. I think it's coming back today. –HF

During the donations scandal of 1999/2000, Helmut Kohl gave his legendary "word of honor" not to name any donors. This documentary explores the question of what this word of honor was really all about