Zebercet is an obsessive man living a monotonous life in a hotel with few customers. This monotonous life changes with the arrival of a woman who does not even give her name. She stays only one night in the room she has rented and leaves the hotel to come back a week later.

Kamil, who earns his living as a long-distance truck driver, falls in love with Cevahir, whom he meets at a brothel he visits with his friends, and rents a house for her. Their goal is to get married. However, their financial situation is not sufficient for such a marriage. Kamil accepts a friend's offer to engage in smuggling in order to build a better life.

The story of young girls who fall into brothels while looking for a job through newspaper ads.

The film is about the life of a gigolo. Bekir, a gigolo, is with a rich woman named Oya. One day, Oya hits a woman with her car. Bekir helps the woman who was in the accident. At the hospital, he meets Esra, the woman's roommate. A friendship develops between Bekir and Esra, who is a sex worker. They fall in love with each other. Bekir wants to build a life with Esra. For this reason, he decides to rob Oya's house with his brother. However, things will not go as Bekir planned.

The life of Afife Jale, the first Turkish female theater artist, is recounted. Since childhood, Afife has been a free-spirited girl who loves her freedom. However, she lives in a conservative family environment. When she turned twelve, she was forced to wear a veil despite her objections. With the support of her family elders, her father allowed her to study painting at the School of Fine Arts. However, Afife's heart was set on theater. Initially, she staged plays for her friends on a small stage she had set up inside her home, performing the plays of the Afife Company. Her greatest obstacle was her father. With the support of her grandfather, the Pasha, and her childhood friend and lover, Dr. Ziya, Afife stood up to her father. She could not suppress her desire for much longer.

Kemal writes a letter to his mother telling her that he is a doctor. His mother is so happy that she spreads the news throughout the village. When the girls in the village learn that Kemal is returning to the village, they do everything they can to win him over. However, Kemal falls in love with Sümbül, the daughter of Ruşen Ağa. The discovery that Kemal is not a doctor will put this love in jeopardy.

Osman, who lives a poor life with his wife, children, and mother-in-law, earns his living as a porter. His debts to the local shopkeepers and his landlord have piled up like a mountain. To make matters worse, he is constantly belittled by his wife Leman and mother-in-law! One day, the neighborhood ticket seller Şakir forces him to buy a lottery ticket. Osman hides the ticket somewhere but forgets where he put it. When Osman learns that the jackpot has been won by one of the tickets sold by Şakir, he mistakenly believes it is his and is overcome with joy.

The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.

The love story of a handsome beach attendant with two young women, one rich and the other disabled.