A player on a soccer team, where everyone matches together just perfectly, has fallen out of a championship tournament due to illness; which leads to a big problem: who would be the perfect man to replace him? Werner Fehling appears to be the perfect replacement for the sick man. The problem is, he's a bitter rival of the goalkeeper, Jupp Jaeger. Both men love the same girl, Grete Gabler. Grete is the daughter of a senior member of the sports club, which is why she feels doubly under pressure not to do anything to jeopardize the success of the team.

Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

Anthology film about a night at airport Berlin-Tempelhof. Due to fog passengers can't leave Berlin by plane and struggle to find other ways out of Berlin.

Short film directed by Alwin Elling

Postwoman Christel is engaged to detective Horst. When the dashing star trumpeter Mecky arrives in town, her love begins to waver. Christel must make a decision at the big postal parade.

As a young man, mustard manufacturer Ludwig Klinke had an affair with a dancer, the “Spanish Fly”. The dancer had a son and Klinke has been secretly paying maintenance ever since. Wimmer and Tiedemeier also had a relationship with the dancer. With the appearance of the dancer's supposed son, Heinrich Meisel, chaos breaks out.

The stenotypist Margit is supposed to take 3,000 Marks to the bank for her boss, Mr. Plaumann, but she lazes away the time window-shopping, and eventually stands before a closed door. She follows Plaumann to Dresden, where he, believing the money is deposited in a bank as a down payment, wants to purchase a newfangled remote control from the inventor Lambach. Since Plaumann’s car breaks down on the road, Margit arrives before him and rests in the seemingly empty hotel room which later turns out to be Lambach’s. Meanwhile, Lambach himself is being spied on by the jealous cousin of his fiancée, who can’t wait to catch him in the act…

Impresario Adler is imprisoned for insulting an official and therefore unable to negotiate an important concert tour with opera singer Lauri Volpi. In his place, he convinces Friedel, a pretty music student, to travel to Venice to meet the famous tenor. In her travels, Friedel sends postcards written by Adler to his wife to prevent her from knowing his real whereabouts. When Friedel meets Volpi’s attorney, she mistakes him for the singer, and they spend days together in a romantic, picturesque Italy without him revealing his true identity. After his release from prison, Adler realizes two things: firstly, Friedel has been negotiating with the wrong man, and secondly, his wife has discovered the trick with the postcards, traveled to Italy, and started a storm of her own. But when the storm has cleared and the confusions are clarified, nothing holds them back from a happy ending.

Three young men working at a filling station fall in love with the same woman.