Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.

'Sissy Fatigue' follows the insidious transformation of a seductive blonde woman into a rage-fuelled, lip-syncing, six-pack tricking, pearl dripping, bald creature.

'Sissy Fatigue' follows the insidious transformation of a seductive blonde woman into a rage-fuelled, lip-syncing, six-pack tricking, pearl dripping, bald creature.

Stanley Kubrick looked for decades for a way to tell the story of Eyes Wide Shut before finally making it. Then, within days of completing the film, he passed away. Never Just a Dream: Stanley Kubrick and Eyes Wide Shut is a short documentary in which those who knew Kubrick best tell the story of the project and recall this final chapter of his career in moving detail.

A response to Virginia Woolf's "Orlando" re-created into a new fairytale encompassing the ideas of the novel mixed with personal experience, traditional folk stories, and snippets from art and literature.

On a remote island an abusive mother keeps her adult son as a baby aided by his two sadistic siblings. The intense close knit family's world is disrupted when the free living naturist wood's folk are invited in to baby's second birthday. The two worlds clash with dramatic results as an alluringly sexual stranger exposes the groups abilities to communicate verbally and emotionally and ultimately ends in murder and the continuation of a cycle of abuse.

An intimate portrait of the artist at his home in San Francisco, this film delves into Mike Kuchar's life and work. The artist portrait explores, among other things, Kuchar's movie/music collections, his mysterious Casablanca editing system and the comic books, religious iconography and sci-fi memorabilia that fill the apartment floor to ceiling.

‘Who Named the Lily?’ celebrates and laments the complicated history of the Crystal Palace. Monster Chetwynd plays the ‘Fact Hungry Witch’, who explores the story of the Amazonian waterlily, and reveals its links to engineering. The artwork brings to light the politics of Paxton’s developments in industry and architecture, however, the protagonist of this story is the waterlily – a catalyst for ground-breaking technological advancement.