
Acting
From Wikipedia, the free encyclopedia Oscar C. Apfel (January 17, 1878 – March 21, 1938) was an American film actor, director, screenwriter and producer. He appeared in 167 films between 1913 and 1939, and also directed 94 films between 1911 and 1927. Apfel was born in Cleveland, Ohio. After a number of years in commerce, he decided to adopt the stage as a profession. He secured his first professional engagement in 1900, in his hometown. He rose rapidly and soon held a position as director and producer and was at the time noted as being the youngest stage director in America.[1] He spent eleven years on the stage on Broadway then joined the Edison Manufacturing Company. Apfel first directed for Thomas A. Edison, Inc. in 1911–12, where he made the innovative short film The Passer-By (1912). He also did some experimental work at Edison's laboratory in Orange, on the Edison Talking Pictures devices. After many years as a director, he gradually returned to acting. On March 21, 1938, Apfel died in Hollywood from a heart attack.

A newspaperman Paul Cluett (Jack Holt) gets rival reporter Linda Lawrence (Mae Clark) to admit that she is investigating a story in Morocco that guns are being smuggled illegally.

Searching for headlines at any cost, an unscrupulous newspaper owner forces his editor to print a serial based on a past murder, tormenting a woman involved.

A pretty but virtuous small-town bank clerk is the victim of a vicious rumor from an unsuccessful suitor that she spent the night with a notorious womanizer.

1934 drama of man's inhumanity to man, starring William Farnum and Anita Louise, directed by Edwin Carewe, screenplay by Harold Sherman. This film was meant to denounce Hitler prior to US involvement in WWII

Gar Evans is a con artist, who pretends to be the owner of a "Golden Gate Artificial Rubber Company", and he is looking for investors. Finding them is relatively easy, but it becomes difficult when those want to see the inventor of the synthetic rubber...

Hard-working, henpecked Ambrose Ambrose Wolfinger takes off from work to go to a wrestling match with catastrophic consequences.

A prison-camp convict learns that his younger brother will soon be joining him behind bars.

Opera student Annette Monard meets composer Jonathan Street, and in a buoyant, alcohol-fueled evening, the couple marries. Sincerely falling in love, Jonathan encourages the talented Annette to sing — yet when his own attempt at an opera fails, Jonathan lashes out at Annette's success. Despite her husband's jealousy, Annette embarks on a successful career that allows her to secretly fund Jonathan's opera, bringing their marriage to a crisis.

A young doctor escapes the slums of New York City to make his fortune as a Park Avenue doctor. When a fatal mistake results in tragedy his resolve to continue working is severely tested. Based on a novel by Fannie Hurst.

Judy Peters is about to be sentenced after she has pled guilty to her third offense of prostitution, when Dr. Nelson interrupts and tells her story to the court. (Mubi.)

George Baxter presents his new wife, Margery. Paul Sneed, Baxter's neighbor, knew Margery before the marriage. When Baxter returns home unexpectedly one night, he finds Sneed and his wife together. As Sneed runs away, Baxter shoots and kills him. Both Margery and Sneed's father, Judge Randolph Sneed, witness the shooting.
After the death of her second husband, Princess Sylvia Carzoni writes to her first husband, Richard Carmichael, requesting the custody of their daughter Ruth. The naïve Ruth is so thrilled at the prospect of entering society that Richard reluctantly allows her to go, and in her new surroundings, she happily receives the attentions of several of her mother's friends. Through her own innocence, Ruth withstands their advances, but she falls victim to the dashing Jefferson Kane, who suggests that she visit him at his home. Suspicious, Sylvia follows her daughter to Jefferson's estate, where she finds Ruth struggling with the villain, and after denouncing him, Sylvia takes the girl home. Sylvia lovingly embraces Ruth, and as she is discussing the shallowness of society life, Richard and Bobby Woodward, Ruth's old sweetheart, arrive demanding Ruth's return. Eventually, however, Sylvia regains Richard's love, and Ruth is united with Bobby.

Jim West, foreman of John Calhoun's ranch, falls in love with Helen, the boss's daughter, after rescuing her from a runaway horse. Her brother, Ted, falls into the companionship of Bill Jackson, a notorious gambler and saloon keeper, who persuades Ted to sign I. O. U.'s while under the influence of alcohol. Jim, in company with Red Irwin, a tough deputy sheriff, confronts the gambler and forces a confession. Jackson plans a raid on the Calhoun cattle, forcing Ted to be his ally. Dolores, a dancehall girl, overhears the plot and tells Jim, causing Helen to misunderstand his motives.

During a lawn party at his New York home, steel magnate Theodore Morton claims he is bankrupt as a deterrent to Lord Dormer and the Duke of Medonia, two fortune hunters competing for his niece, Betty. After the suitors depart, unscrupulous Carl Gates is informed by his fiancée, banker's secretary Adele Shelby, that Theodore was lying. Carl pursues Betty, who accepts his proposal with the belief that the marriage will benefit her uncle. During a yachting expedition with Carl, Betty falls overboard and is rescued by architect Tom Waring, who is competing in a race. Tom wins with Betty on board, and a romance develops.

Refusing to marry her stepmother's choice, Gail Prim leaves her life of luxury, after cutting her hair, dressing in her butler's clothes and stealing money and jewels from her father's safe. Spending the night in a barn, she introduces herself to the thieves already there as the Oskaloosa Kid, a wanted criminal, and barely escapes their struggle to get her loot. Meanwhile, the real Oskaloosa Kid kills Reginald Paynter and throws Nettie Penning, whom Reginald was trying to seduce, onto the highway.

Jack must prove himself before Beatrice's father will allow him to continue seeing his daughter.

While traveling incognito through his kingdom, Prince Ludwig of Saxe-Tholberg becomes infatuated with Katrina, the daughter of innkeeper Hermann Ardelheim, but their idyll is interrupted by the arrival of a courier bearing the news that Austrania has threatened war. Katrina is heartbroken to discover the identity of her sweetheart whom she can never hope to marry. After Ludwig's departure, Katrina overhears the plotting of two spies and with the help of her brother Roalf, she confronts them. In the ensuing struggle, Katrina kills one of them, who turns out to be the Austranian ambassador. Although Katrina admits her crime, Marshal von Trump plans to execute Roalf in order to pacify the Austranians. Katrina appeals to Ludwig, who pardons Roalf over the advice of his counselors causing Austrania to declare war. A crucial battle is fought near the Ardelheim inn, during which Katrina becomes a heroine by signaling the advance of Ludwig's troops.

A Hollywood biographical film about a survivor's experience of the Armenian Genocide. Arshaluys (Aurora) Mardiganian plays herself in the film which is based on her published memoirs. It is thought to be the first film about made about genocide. All known complete copies of the film have been lost. A restored and edited 24-minute segment of the historic motion picture was released in 2009 by the Armenian Genocide Resource Center of Northern California. It is based on a rare surviving reel of film edited in Soviet Armenia.

Carmen, a maid, steals a locket belonging to the Aragon princess Maria Theresa and sells it to Gaines, a New York art collector, not knowing that the locket contains the clue to the Aragon family fortune's whereabouts. Based on the 1909 Broadway play of the same name by Paul Dickey and Charles W. Goddard.

Carmen, a maid, steals a locket belonging to the Aragon princess Maria Theresa and sells it to Gaines, a New York art collector, not knowing that the locket contains the clue to the Aragon family fortune's whereabouts. Based on the 1909 Broadway play of the same name by Paul Dickey and Charles W. Goddard.

