A theater manager about to go bankrupt decides to accept help from his daughter and her boyfriend to save the family's finances, which she does with the sponsorship of a rich man.

A man in charge of a publicity campaign for bananas decides to kidnap the Queen of 'Bananaland', a tropical island paradise, and take her to Rio, where she falls in love with a member of Carmen Miranda's backing ensemble, 'Bando da Lua'.

Bebeto, a scoundrel and flirt, always gets the short end of the stick in his flirtatious advances. Having his eye on a woman who claims to be married, he uses various tactics to win her over. Following a friend's advice, he takes her to a deserted location, where he plans to make love in a van. The boys from a nursing home run by a priest show up, forcing him to referee a soccer match, ruining the romantic afternoon. On Carnival Sunday, Bebeto manages to take the girl to the apartment of his friend Gugu, who lent him the key. However, a malfunction in the toilet floods the apartment and the building with water, making the efforts of a plumber, the Fire Department, and the Radio Patrol ineffective.

“Naked Eye” is a film-documentary of long-length of the artistic and existential universe of the singer Ney Matogrosso, which proposes to recreate through archive’s images in counterpoint with the current production of the artist, thirty-five years of career marked for inventive and transgressing spectacles, always symphonize with its time. Through a coherent boarding with its intransigent trajectory, the film intends to translate the language musical-corporal of Ney Matogrosso, trying audiovisuals resources that express signs evoked poetical politicians and in the repertoire of the singer. A film-song that that looks for to, ultimately, embody the voices of an artist who searches for a nation.