Inverting the form, style and time frame of commercial television advertising, Logue has produced a unique series of dynamic video portraits of avant-garde artists, writers, musicians and performers. In 30 Second Spots: New York, which Logue terms "commercials for artists," each of the succinct vignettes conveys the artistic essence of her subject with clarity, wit, and an elegant economy of means. John Cage, Steve Reich, Philip Glass, Meredith Monk, Spalding Gray and Steve Reich are among the artists who are captured here with concise drama. Each subject performs in close-up before a stationary camera.

Post modern and baroque as hell... good and bad taste without synthesis... semblance and false pretense... nods to the history of art... sentimental and cultural clichés: serious, funny, grotesque...

Reel 15 of Gérard Courant's on-going Cinematon series.

A documentary covering the rebirth of St.Orlan from 1991 through most of the decade.

Performance artist ORLAN undergoes one in a series of surgeries that would give her “the chin of Sandro Botticelli’s Venus in The Birth of Venus, the nose of Francois Pascal Simon Gerard’s Psyche in Le premier baisser de l’amour a Psyche, the eyes of Diana in the sculpture Diane chasseresse, the lips of Gustave Moreau’s Europa in L’enlevement d’Europe and the brow of Leonardo’s Mona Lisa to draw attention to received Western notions of beauty and femininity.

A documentary edited from ORLAN's seventh surgery in the The Reincarnation of Sainte-ORLAN series which aired live, vis satellite from New York in 1993.

Conceived as an electronic road movie, this documentary investigates cutting edge technologies and their influence on our culture as we approach the 21st century. It takes off from the idea that mankind's effort to tap the power of Nature has been so successful that a new world is suddenly emerging,an artificial reality. Virtual Reality, digital and biotechnology, plastic surgery and mood-altering drugs promise seemingly unlimited powers to our bodies, and our selves. This film presents the implications of having access to such power as we all scramble to inhabit our latest science fictions.

The philosophical notion of "self," which first appeared more than four hundred years ago in John Locke's Essay Concerning Human Understanding, has been somewhat challenged in recent years by a series of scientific discoveries about the role of bacteria inside the human body and the functioning of our immune system. In addition to the trillion cells that make up the human body, there are ten to a hundred times more bacterial cells living on its mucous membranes, performing essential functions for the individual. So, what could an artistic self-portrait look like if it took into account this entire set of bacterial cells, known as the microbiota? This is the journey that ORLAN and Mael le Mée embarked on during the participatory performance TANGIBLE STRIPTEASE (in nano-sequences), which took place on June 2, 2016, at the Bains Numériques festival in Enghien-les-Bains and on September 16 at the Festival Vivant in Paris.

Venice will always be the city of romantic conquests.