The director's fascination is the parallel world which exists behind the doors of big shopping malls. It is as if behind those doors everyday human problems do not exist. Yet, as we spend money, we all have to go back, through the same door, back to reality.

In the 1990s, the Yugoslavia Federation falls apart in bloody wars. Perpetual student Milan, a Serb from a patriarchal community, and Kenan, a Muslim cellist, are a gay couple living in Sarajevo. Their lives, intimate and public, are shaken up by the aggression in Bosnia and Herzegovina, whose devastating consequences unfold in inter-ethnic hatred.

Don Fabijan is a young priest who comes to serve on an unnamed small island in the Adriatic. In order to help increase birth rate on the island, he decides to pierce condoms before they are sold. He therefore teams up with the newsagent Petar and the pharmacist Marin. After they abolish all forms of birth control on the entire island, the consequences become more and more complicated.

A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.

A stormy winter approaches and a small Dalmatian island soon becomes more and more deserted. A typical Croatian family featuring members from across the generational pool gathers in a small dilapidated household in order to discuss inheritance. However, the discussion quickly takes a snappy twist as new questions begin to pop up that start bringing the crumbling tradionalist family structure down. One of them, a woman named Anica, is determined to keep the situation afloat, no matter what risks it may pose.