Suicide bombers are chosen by chance and their funeral rites accomplish the work of God. On this particular day the envoy of God is twelve -year-old Fatima. She is left in a village market, wearing an explosive belt with ten minutes until she kills the enemies of God. But this is the market where Fatima’s mother works and where she rediscovers life. For ten minutes we accompany her on the nail-biting journey of a martyr from the present to the past. With one minute left on the clock, she faces her mother. Confronted by her own helplessness, will time stop?

A documentary road movie with René Vautier In the aftermath of Algeria's independence, René Vautier, a militant filmmaker, considered "the dad" of Algerian cinema, set up the cine-pops. We recreate with him the device of itinerant projections and we travel the country in ciné-bus (Algiers, Béjaïa, Tizi Ouzou, Tébessa) to hear the voices of the spectators on the political situation, youth and living conditions of men and Of women today.

A documentary road movie with René Vautier In the aftermath of Algeria's independence, René Vautier, a militant filmmaker, considered "the dad" of Algerian cinema, set up the cine-pops. We recreate with him the device of itinerant projections and we travel the country in ciné-bus (Algiers, Béjaïa, Tizi Ouzou, Tébessa) to hear the voices of the spectators on the political situation, youth and living conditions of men and Of women today.

Conceived as a journey through time and films, Salut & Fraternité retraces the career of filmmaker René Vautier, comparing his testimony with those of other filmmakers (Jean-Luc Godard, Yann Le Masson, Bruno Muel...). Questions are raised about commitment, the role of the filmmaker and his films in society, the need for a cinema of social intervention and counter-power... with censorship constantly in the air.

A documentary road movie with René Vautier In the aftermath of Algeria's independence, René Vautier, a militant filmmaker, considered "the dad" of Algerian cinema, set up the cine-pops. We recreate with him the device of itinerant projections and we travel the country in ciné-bus (Algiers, Béjaïa, Tizi Ouzou, Tébessa) to hear the voices of the spectators on the political situation, youth and living conditions of men and Of women today.

When we’re moving, walking, watching, driving, how do we breathe? European Summer road diary. Back-and-forth with friends, music, Super8, video, poems. It’s an inner travelling hard to finish and give, because that kind of ‘catches’ doesn’t stop itself. As life is unrecordable, I play and replay reflections at many fps (frames per second - or second frames).

When we’re moving, walking, watching, driving, how do we breathe? European Summer road diary. Back-and-forth with friends, music, Super8, video, poems. It’s an inner travelling hard to finish and give, because that kind of ‘catches’ doesn’t stop itself. As life is unrecordable, I play and replay reflections at many fps (frames per second - or second frames).

When we’re moving, walking, watching, driving, how do we breathe? European Summer road diary. Back-and-forth with friends, music, Super8, video, poems. It’s an inner travelling hard to finish and give, because that kind of ‘catches’ doesn’t stop itself. As life is unrecordable, I play and replay reflections at many fps (frames per second - or second frames).