In the totalitarian Venezuela, Andrea, a teenager, heavily argues with her mother and runs away to the beach with her boyfriend Juan, a man 15 years older than her. Between jokes, rogueries and booze, the fun trip starts to grow violently as the waves bring her home.

Film written and directed by Gabriel Avilán, Andrea Guglietta, Orangel Lugo, Leandro Lioh Navarro,, Carlos Novella and Alan Ohep.

Film written and directed by Gabriel Avilán, Andrea Guglietta, Orangel Lugo, Leandro Lioh Navarro,, Carlos Novella and Alan Ohep.

After his wife’s death, a man is interrogated by the State. Returning to a dystopic, totalitarian life, he weighs stifling his grief against leaving it all behind. A call leads an official to help him find his beloved.

After dedicating herself to caring for her deceased parents, a sixty-year-old woman lives alone in her family home, insisting that her siblings meet up, either to sign the legal documents for the house or without excuses, to have her company.

After four years without visiting her homeland, Orangel returns to record the places of her memories: her grandparents' house, her deceased great-aunt's house, her childhood best friend's house, and the bay. What is not precarious is uninhabited or broken, like her childhood photos and those of her deceased mother, objects that she takes with her.

After four years without visiting her homeland, Orangel returns to record the places of her memories: her grandparents' house, her deceased great-aunt's house, her childhood best friend's house, and the bay. What is not precarious is uninhabited or broken, like her childhood photos and those of her deceased mother, objects that she takes with her.

After four years without visiting her homeland, Orangel returns to record the places of her memories: her grandparents' house, her deceased great-aunt's house, her childhood best friend's house, and the bay. What is not precarious is uninhabited or broken, like her childhood photos and those of her deceased mother, objects that she takes with her.

After four years without visiting her homeland, Orangel returns to record the places of her memories: her grandparents' house, her deceased great-aunt's house, her childhood best friend's house, and the bay. What is not precarious is uninhabited or broken, like her childhood photos and those of her deceased mother, objects that she takes with her.

After four years without visiting her homeland, Orangel returns to record the places of her memories: her grandparents' house, her deceased great-aunt's house, her childhood best friend's house, and the bay. What is not precarious is uninhabited or broken, like her childhood photos and those of her deceased mother, objects that she takes with her.