Approaches to important life values can vary: while the top athlete who has made it in cycling tries to monetise his talent, his brother cannot devote himself to his beloved sculpture because of his disabled arm and seeks alternative self-fulfilment. Moreover, the two are united - and at the same time divided - by a love affair with the same woman.

A story about the problems of an aging high school history professor, Barchánek, and his teenage son. Barchánek teaches at a technical school in the same class as his son Honza. However, he is not very impressed by his father's position at the school and his generous and understanding attitude towards the youth. Barchánek is unable to punish with bad grades. Honza is ashamed of his father and defies him. Both are thus put to the test – the son and the father, and his easily vulnerable goodness and belief in the responsibility of the rising generation, which must be understood and trusted...

The creators of the Vyšehrad project appreciate all fans of the original online series, so they decided to shorten their wait for the film sequel. That's why they came up with a unique project in which they combined all episodes of the original internet series and added new scenes from the upcoming film as a small preview. The project offers a completely new sound mix, improved image quality, and many other pleasant surprises for those who are already familiar with the series.

A young woman named Alena discovers her fiancé Pavel's repeated infidelity. After meeting with her former married boyfriend, she loses control of her car and crashes. The result is tragic: severe injuries to her head, spinal cord, and spine. Even after several months, doctors and parents consider her condition hopeless. The only ones who do not lose faith in her recovery are the doctor in the rehabilitation department and her grandmother, who takes care of her. The others cannot cope psychologically with the situation that has changed their lives. Hopelessness and helplessness influence their actions. Will they be able to find the strength to overcome their selfishness and help not only Alena but also themselves?

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

Magic and spells in the peaceful town of Jack-o'-lantern, which you will not find on any map. A funny story telling you how a magician's visit can turn his life back and how Ondra may have been fortunate enough. In the poetic fairy-tale grotesque, taking place in the non-existent town of Jack-o'-lantern, the time has stopped. The hands on the clocks show twelve minutes in twelve minutes, as if they were symbolically giving the last chance. Only the mysterious figure of Acrude knows how the story of the bluddy and the fate of his heroes will come. The well-known clairvoyant Heliodromus arrives in town. In front of school, the main hero of the story Ondra is acquainted with his daughter, Adelka...

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

An image and music collage - a cinema concert - guided by a young sound engineer David, for whom the exhibition on E. F. Burian is an incentive to take more interest in this avant-garde artist. The film interweaves two strands - documentary and factual, drawing on contemporary material and archival images - and fictional with the story of David the sound engineer.