A TV documentary that recounts the many "battles" Coco Chanel overcame to become the great businesswoman and legend she is considered today.

After decades of growth and ostentation, when every excess was allowed, the fashion industry is currently at a turning point, caught up in the political issues that are reshaping our times: climate change and sustainable development, cultural representation and appropriation, equality, gender issues... Brands and creators are now subject to increasingly sharp public scrutiny. How is the fashion industry facing these challenges and responding to this new paradigm? Based as it is on the concept of planned obsolescence, can fashion survive?

After decades of growth and ostentation, when every excess was allowed, the fashion industry is currently at a turning point, caught up in the political issues that are reshaping our times: climate change and sustainable development, cultural representation and appropriation, equality, gender issues... Brands and creators are now subject to increasingly sharp public scrutiny. How is the fashion industry facing these challenges and responding to this new paradigm? Based as it is on the concept of planned obsolescence, can fashion survive?

After decades of growth and ostentation, when every excess was allowed, the fashion industry is currently at a turning point, caught up in the political issues that are reshaping our times: climate change and sustainable development, cultural representation and appropriation, equality, gender issues... Brands and creators are now subject to increasingly sharp public scrutiny. How is the fashion industry facing these challenges and responding to this new paradigm? Based as it is on the concept of planned obsolescence, can fashion survive?

Quentin and Antoine are 18-year-old twins. Without their father knowing it, they set out on a voyage to Spain, where their mother's funeral is to take place. The two brothers barely knew their mother. Their hitchhiking journey is full of encounters, arguments, reconciliations, and experiences. Their time on the road also reveals their differences, the splits in their attractions, and the confusion of their feelings.

Director, screenwriter and actor, Gurwann Tran Van Gie has assumed his homosexuality since he was 20 years old. In 2013, the violent homophobic reactions of the supporters of the "Manif pour tous", which he hears from his balcony, make him fear to be targeted for the first time. That year, attacks against homosexuals increased sixfold. Gurwann Tran Van Gie explores the roots of homophobia as he looks back on his life. He presents the work of the association Contact Rhône, which tries to maintain or renew the dialogue between lesbians, gays, bisexuals, and their families. As for the association Le Refuge, it takes in underage homosexuals driven out by their parents, of which there are 1000 each year.

Home cook Rachel, a sort of Ma Dalton, has raised her sons Sam and Jeremiah, and her grandson, Nathan, in the cult of conning. From bad plans to petty theft, this friendly family of broken arms is always after the big score. Luck or fate, during a burglary, they steal a painting by Tamara de Lempicka without knowing its value. Céleste, a shrewd and charming detective, sets out in pursuit.

In the early 1990s, with the economic crisis, the first Gulf War and the devastation caused by AIDS, fashion reflected the times. It was sombre, desperate and sometimes violent. Clothing underwent deconstruction and recycling, and fashion shows became fashion performances.

15-minute interview with director Gus Van Sant on Elephant (2003)

As a poster boy for hedonism, his whole life was one big party. A journalist, filmmaker, director, producer, actor, novelist, ladies' man and prolific father... Roger Vladimir Plémiannikov, a.k.a. Roger Vadim, tried everything until his death in 2000. Portrait of a man at the cutting edge of fashion and trends.