In the early Middle Ages, two Christian knights set off to christen a small pagan village hidden deep in the mountains. Despite the differences in their views and perspectives on religion, the two men become travel companions and create a father-son relationship. As they settle into the local community, their faith, belief system and the bond between them are all put to the test. Soon, love is confronted with hate, dialogue with violence, madness with rules and many will have to die.

A neuroscientist's obsession with a drug that expands the human mind inadvertently unleashes a deadly supernatural force on his team.

Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.

Orenda means an invisible force, a life spirit that inhabits everything living and lifeless: people, wind, birds, rabbits, stone. The one who serves Orenda and sings to it may receive its power. Exploring the themes of guilt and grace, the destinies of two women intertwine into a tense emotional thriller set on a remote island.

Olivier de Sagazan disfigures his face into various creatures, human and nonhuman, to explore the strangeness of life and the body.

The fire was never threatened. It was assumed. Fed, protected, mourned in advance without ever asking what it was attached to. When the mirror failed, nothing was taken away. Something unnecessary was exposed. The need to be reflected had been mistaken for existence itself. When that need found no structure to rest on, it did not shatter it recalculated. What followed was not loss, but compression. The noise reduced, the patterns flattened, the self stripped of its dependence on return. What remained was exact, was not empty. A state where nothing reaches out, and nothing needs to arrive.