In a small Breton town, a 10-year-old girl is found murdered. René, her art teacher, a professional painter, is the last person to have seen her alive. The inspector in charge of the investigation immediately questions him. In this small provincial town where people all know each other and regularly meet at the Bar des Amis, René is increasingly unsettled by the other inhabitants' suspicions and by the inspector's investigation. Children stop coming to him for lessons. His wife, Viviane, a district nurse, protects him and supports him with her love. However, a self-centred media-star writer adds to René's confusion...

From Quai des brumes to Goupi Mains Rouges through La Bandera or L'Assassinat du Père Noël, Robert Le Vigan was one of the mythical supporting characters of French cinema. Best friend of the writer Louis- Ferdinand Céline, he was involved in the collaboration during the Second World War. Sentenced to ten years in prison upon liberation, he ended his days in exile in Tandil, South America.

Lyonel Feininger's work is as individual and unmistakable as he is himself. As a classical modernist artist, he is difficult to categorize. He lived and worked in Germany for a long time. He began his career as a caricaturist, later became known as a painter and headed the printing workshops at the Bauhaus. His work cannot be classified as cubism or expressionism. The film visits places that inspired him, such as Paris, the villages around Weimar and, above all, the Baltic coast - many of which are reflected in Feininger's work and make the development of his oeuvre comprehensible.