Iva and Marija, a young lesbian couple, rent an apartment in Zagreb, in a building that seems to provide a quiet and safe environment for their love, but over time the atmosphere in the building becomes more and more threatening. The elder landlady Olga dominates the building. Other tenants include her calm husband, her grown-up son Daniel who has a crush on Iva, the prostitute Lidija, an abused housewife, a widower keeping the corpse of his newly deceased wife, a gynecologist performing abortions in one flat of the house, and an ex-soldier who regularly plays martial music at night. After Olga finds out that Iva and Marija are lesbians, the situation escalates .

A veterinary student moves away from his possessive mother and lives alone in a rented apartment. While the entire nation is in euphoria over the soccer World Cup, he is trying to prepare for the exam. Like the apartment he lives in, his life is quite a mess.

The main character Struja (Stream) is an unyielding rock musician in a demo-band called When Dirty Harry Met Dirty Sally. Struja would do anything to gather money to record the album as long as it doesn't involve giving up his rock musician beliefs. However, playing pop songs at weddings seems to be the only way out, and the rest of the bend - Struja's best friend and keyboard player Mario (Ivan Duricic), Deni, a handsome singer and bass player (Ivan Glowatzky) and Zlajfa, an indifferent drummer (Hrvoje Keckes) - are trying to persuade Struja to make a compromise. At the beginning he is very firm and reluctant to give in, but when Anja, the girl he left, announces that she is pregnant with his baby, Struja suddenly realizes that there are bigger issues in life than playing at wedding.

During the Croatian War of Independance, former French Foreign Legion operrative Ante Gotovina offers his expertise to the newly founded Army of the Republic of Croatia, quickly gaining the favour of the country's higher ups and becoming one of the conflict's most recognizable faces, loved by his troops and feared by his enemies.

Mina comes to the seaside mental hospital to find Andrej, who ended up there due to events from their common past that affected everybody's lives. There she gets in clash with authoritative doctor Vukcevic, but also with her own bygone, a kind of a labyrinth of dark familial stories.

In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.

A razor sharp comedy all about relationships and red tape. Kreso is at a loose end. A fully qualified biologist, he's about to hit middle age, disillusioned, out of work and stuck in a marriage that should probably never have started. At least his son still looks up to him. Meanwhile, the country's cash-strapped government is busily looking for unique ways to save money, and now, over 20 years after the 1990's war, sets its sights on the widows of fallen soldiers. Anyone unmarried but in a new relationship will no longer be allowed a military pension. Enforcing such an unpopular measure requires a new department: The Ministry of Love, whose purpose will be to gather information on any widows breaking the new law. With nothing to lose, Kreso agrees to be put forward by his pushy father in law. The only problem is, together with his eccentric partner, Sikic, he's completely the wrong man for the job.

Young Koko has just moved with his parents from his idyllic countryside home to a big city. There, with the help of his new friends and a neighbour he investigates the mysterious case of a dead old man who used to live in the flat he has just moved into. Koko and the Ghosts is a family film based on a popular Croatian series of young-adult novels written by Ivan Kušan.

Koko and friends spend summer vacation on the shores of a lake near the idyllic Green Hill. The magical countryside is disturbed by unusual events which alarm the children as well as the locals: under cover of night, burglars break into one house after another. When the police turns a blind eye to denunciations by adults, the children decide to take matters into their own hands and unmask the burglars.

All kinds of patients roam through waiting room of a psychiatrist whose life motto is: everybody are crazy until is proved the other way.