The film is based on V. Yurezanskyi’s novel The Missing Village about the struggle of Ukrainian Cossacks for their freedom during the reign of Catherine II. Free Cossacks from the village of Turbai in Poltava region, who were included in registers of Myrhorod Pact, suddenly find out that at the order of Catherine II they become the property of the Ukrainian landlord, pan Bazylevskyi. He treats Cossacks like his usual serfs. Cossacks ask the empress for help, but receive no reply. Then, they rebel and set Bazylevskyi’s estate on fire. The owner and his family die during the fire. The vengeance of the Russian empress is terrible, as dozens of Cossacks are beaten to death, and the village of Turbai is doomed to destruction. The film is lost.

A group of 6th grade school children master their everyday lives. Van'ka has inventive talent, but he can't cope in class. His loyal friend Aleša tries to protect him. The curious and ambitious Katja thinks Van'ka is lazy, but she also has some problems at school due to her great commitment to the pioneer group, of which all three of them are members. Will Van’ka and Katja successfully complete the school year or have to repeat the 6th grade?

The year 1929. A “shock worker” from a tractor plant visits a film studio premises and is furious to see fake stage designs for a kitsch production about a Soviet life. He refuses to help the crew with his tractor, but is happy to ask one of the cameramen to go with him to visit an actual Soviet village. There they witness the birth of the kolkhoz and the dekulakization of wealthy villagers. Then they are transported to the future, to the year 1932, when the first five-year plan is done and the commune-sovkhoz is established. Movies can move faster than time, but the pace of change in Soviet society is even faster than that. In the movie, the entrance gate of the Odesa film factory, where all of the indoors scenes were shot, can be seen. The outdoors scenes were filmed all over Eastern Ukraine and Southern Russia (Kuban): at Kharkiv factories, in Ukrainian villages and in the 240 ha-sovkhoz “Gigant” in Rostov region, the latter representing the future after the five-year plan.

The film is about the life of a White emigrant returning to Soviet Russia.

A machinist on a Navy ship has two sons, both bolcheviks. When the revolution comes the Tsarist police captures the machinist to put pressure on his sons.

The film is about the struggle against political and cultural backwardness in the remote corners of Ukraine in the mid-1920s. Hysyar, a witch doctor, is the most popular person in the small village of Haniivka.  Gysyar fills his wallet at the expense of gullible and backward villagers, but his "healing" only cripples them with impunity. This brings him into irreconcilable conflict with Marina, a paramedic who has come to the village from the city. To get rid of his unwanted competitor, Hysyar, with the help of the nurse's sister, steals the keys to the cooperative from Marina's fiancé, and plants the stolen goods in Marina's apartment. In despair, Marina commits suicide. An investigative commission that arrives from the city uncovers Hysyar's criminal activities. The witch doctor is put on trial.

On the struggle of artisanal peasants against the economic oppression by the kulaks.

An episode of the liberation movement in Ukraine - the uprising of Kolievs (serfs, artisans and fishermen) against the tyranny of the feudal lords and the Polish nobility, which ended with a brutal massacre performed by a Russian punitive expedition in 1768.