
Acting
Olek Krupa (born Aleksander Krupa; 18 March 1947), is a Polish-American actor, active in film and television roles and best known for playing villains and/or criminals such as Russian President Matveyev in Salt, Mashkov in The Italian Job, Bosnian Serb General Miroslav Lokar in Behind Enemy Lines. He has also guest-starred on television series such as Miami Vice, New York Undercover, Law & Order, Law & Order: Special Victims Unit, Law & Order: Criminal Intent, Blue Bloods, Person of Interest, and The Blacklist, and had a recurring role in the FX period drama series, The Americans. From Wikipedia.

Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.

Miles Logan is a jewel thief who just hit the big time by stealing a huge diamond. However, after two years in jail, he comes to find out that he hid the diamond in a police building that was being built at the time of the robbery. In an attempt to regain his diamond, he poses as an LAPD detective.

When a disc containing memoirs of a former CIA analyst falls into the hands of gym employees, Linda and Chad, they see a chance to make enough money for Linda to have life-changing cosmetic surgery. Predictably, events whirl out of control for the duo, and those in their orbit.

While flying a routine reconnaissance mission over Bosnia, fighter pilot Lt. Chris Burnett photographs something he wasn't supposed to see and gets shot down behind enemy lines, where he must outrun an army led by a ruthless Serbian general. With time running out and a deadly tracker on his trail, Burnett's commanding officer, Admiral Reigart, decides to risk his career and launch a renegade rescue mission to save his life.

9-year-old Alex Pruitt is home alone with the chicken pox. Turns out, due to a mix-up among nefarious spies, Alex was given a toy car concealing a top-secret microchip. Now Alex must fend off the spies as they try to break into his house to get it back.

Charlie Croker pulled off the crime of a lifetime. The one thing that he didn't plan on was being double-crossed. Along with a drop-dead gorgeous safecracker, Croker and his team take off to re-steal the loot and end up in a pulse-pounding, pedal-to-the-metal chase that careens up, down, above and below the streets of Los Angeles.

In this modern day version of Shakespeare's Macbeth, a hitman heeds a spiritualist's prophesies that he will rise to the head of his family. He starts his ascension by clandestinely executing the heads of the family and casting the blame on others. However, with power comes consequences that are also predicted by the seer.

In a surreal motel in Los Angeles, the life of several sordid characters intertwine.

Whatever Works explores the relationship between a crotchety misanthrope, Boris and a naïve, impressionable young runaway from the south, Melody. When Melody's uptight parents arrive in New York to rescue her, they are quickly drawn into wildly unexpected romantic entanglements. Everyone discovers that finding love is just a combination of lucky chance and appreciating the value of "whatever works."
FAR FROM POLAND is probably the first American non-fiction film (Godmilow calls it a "drama-tary") to explode cinema verite's mythic claim to be the only trustworthy mode of representation for discussing the real world, and in particular, social and political issues, on film. Refused a visa to travel to Poland, "Jillski" (her Polish nickname in the film) has to literally re-invent the documentary to deal with the Polish situation and she does so with a particular eye to deconstructing not only documentary's specific claims to objectivity, but also the bourgeois audience's desire to sit comfortably in their seats, feel compassion, feel themselves part of the solution (not part of the problem) by having felt compassion for the poor oppressed Poles, who, Godmilow would argue, are far more acutely aware of their situation and what forces oppress them than the liberal American folk in the movie house.





