Russian Federation, May 6, 2012. On the eve of the ceremony of inauguration of Vladimir Putin, elected for a third term, the police brutally repressed a march of protest over the lack of freedom existing in the nation. Some people believed that this demonstration would be the beginning of a peaceful revolution, but it was the day when silence and fear won the game. Realize what happens when a person has too much power in his hands.

Masha Drokova is a rising star in Russia's popular nationalistic youth movement, Nashi. A smart, ambitious teenager who – literally – embraced Vladimir Putin and his promise of a greater Russia, her dedication as an organizer is rewarded with a university scholarship, an apartment, and a job as a spokesperson. But her bright political future falters when she befriends a group of liberal journalists who are critical of the government, including blogger Oleg Kashin, who calls Nashi a "group of hooligans," and she's forced to confront the group's dirty – even violent – tactics.

Murder is the leading cause of work related deaths for journalists as censorship increases worldwide. In addition to those who have been killed, dozens have been attacked, kidnapped, or forced into exile in connection with their coverage of crime and corruption. Journalists reporting from Mexico, Russia and the conflict zones of Iraq, Afghanistan and Syria tell their personal stories of kidnapping, intimidation, and beatings. They've experienced the loss of colleagues in the field and have been close to death themselves. Their stories are heartfelt, captivating, engaging and at moments - unbelievable.

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

Ten director graduates from Marina Razbezhkina’s School of Documentary Film and Documentary Theatre lived with a camera for two months in order to chronicle the last “Russian winter” and its popular uprising against Vladimir Putin’s presidential run. People, faces, conversations, protests, failures and triumphs come together to chronicle the campaign.

Russia is a highly developed, wired, and educated nation, but endures third-world levels of corruption and a repressive, autocratic government. Many Russians explain this paradox by citing the Russian soul, a unique national mindset, born out of their turbulent history that wants dictatorship. Is that possible, or are free speech and democracy universal values?