
Acting
Oleg Alekseevich Garkusha (February 23, 1961, Leningrad) - Soviet and Russian musician, singer and TV host, showman, member of the group "Auktsion". The author of texts and the executor, the poet, the actor. In 1980 he graduated from the Leningrad Film College. For some time after graduating from the technical school he worked as a projectionist in the Sovremennik and Titan cinemas. According to Garkusha himself, on the stage he got by accident. In 1985 he was asked to sing a couple of phrases of a song, verses to which he wrote. He sang, everyone liked it. So he became a participant of "Auktsion". After his arrival in the team, the image of "Auktsiona" radically changed. The band's performances turned into eccentric shows with a buffoonery. A distinctive feature of these shows was the character and recognizability of each character. Especially good was Garkusha in the role of unruly, eccentric punk - "red clown", galloping on stage. In the group "Auktsion" Garkusha was not only a showman and a vocalist, but also an author of lyrics, along with the poet and musician Dmitry Ozersky. Only if Ozersky wrote the texts to Fedorov's compositions (according to the principle of the libretto), then Garkusha brought his own poems to which the music was then written. The well-known songs of "Auktsyon", laid on the verses of Garkusha, are "Money is paper", "Wolf," "Airplane", "Pioneer" and "Bird" written by Garkusha in 1991 in the days of the August putsch. Album "Ass" of 1990 consists almost entirely of songs on Oleg's poetry. Oleg Garkusha played in the films: "The Burglar" (1987), "The Presumption of Innocence" (1988), "Khrustalev, the car!" (1998), "I Want" (2012). Garkusha also played the role of the Crocodile in the staging of "The Stolen Sun" by the "KS" group. In 1991 he participated in the concert "Rock Against Terror". At one time, Garkusha tried his hand at becoming a public figure when he headed the "Youth-Public Committee for the preparation of the 300th anniversary of the city". Garkusha conducts a weekly program on the night air of Petersburg television. Another sphere of Oleg's activity is work in the club "Garkundel", which was located in the cinema "Spartak". One of the organizers of the festival "Windows Open!". Oleg Garkusha is the author of several collections of poems. The first, "The Boy as a Boy", was released in 2001. Also, the rock musician released the second book of poems - "The Crow". (Wikipedia)

Young Alisa is fed up with her life in Moscow, and moves to St. Petersburg. Her roommates in the collective flat are two junkies, Vel and her boyfriend Valera the Dead Man. First they fight, but soon the two women form a friendship. Together they even go after the Petersburg underworld when Dead Man is abducted because he can't pay his debts.

The film tells the story of a young Russian in the early 90s, trying to escape the army in a psychiatric clinic. He's released years later, after intensive compulsory treatment. Has a documentary film maker he gets involved in the Chechen conflict, where he meets his own apparent death. He recalls his life and realizes it mirrors that of his whole generation.

Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.

The life of a characters of this movie can be described as a swing - up and down, up and down; each day, each week...

A parody of the clichés and techniques of the Soviet adventurous comedy genre of the 1950s-1970s. This is a story about three heroes who return to their home city after escaping from prison. Truthfulness and sincerity help the characters find their place in the changed system.

One morning, the criminal authority Dad convenes three "sons" and tells the latest news. Everyone remembers how three years ago, the keeper of the regional communal Mule ran away, taking the money. Also, everyone remembers how he was found, punished and buried. And the news is like this. Yesterday Mulya, alive and well, was seen in three cities at once: St. Petersburg, Novosibirsk and Rostov. Dad sends "sons" to these cities to scout out what's what. For each of them, the journey will not be the easiest.

With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart.

Father Alexey (a member of the Auctioneer group Oleg Garkusha), an elderly, eccentric and kind priest, spends his days alone, except for visiting his sick brother and his daughter. One day he receives an assignment to visit a deaf girl Violetta (Vasilisa Perelygina) in prison, falsely accused of setting fire to a church. When Father Alexei recognizes her as an orphan, whom he baptized as Barbara in infancy, a new meaning appears in his life.

Single mother Maria lives with her son and daughter in a science city, which is being prepared for liquidation. She believes that her physicist husband, who disappeared six years ago during a scientific experiment, is somewhere nearby — just in another dimension. A former colleague of her husband arrives in the city in search of the missing person's records, and Maria has a boyfriend-trucker Stas, ready to take her away with her children and start a new life together. Faced with a choice, a woman can not decide to leave her invisible husband.

Yekaterinburg of the 90s. A company of young poets, including the most talented — a junior researcher at the Institute of Geophysics Boris Ryzhy, wanders through the cold and dangerous streets of the city from party to party. Ironic and friendly, he can negotiate with local brothers with equal ease, drive to Moscow for the "Anti-Booker" award, fight at the stall and crash into the department.






