Both Scotland Yard and an amateur American sleuth are tracking a master criminal known as The Frog. This moniker refers to the bulging-eyed mask worn by the evildoer, and is reflected by the frog icons painfully tatooed onto the forearms of his henchmen. The trail leads to the country manor of an enigmatic, steely-eyed nabob, whose repressed son has eyes for the artistes at the Lolita cabaret, and whose lovely daughter captures the fancy of both the American playboy and the villain himself. Murder, kidnapping and seduction ensue.

Nina and Frederik were the big names in international showbiz in the 1950s with their rousing calypso rhythms. That's why "Kærlighedens Melodi" (The Melody of Love) was bound to be a hit when the young, beautiful couple teamed up with the legendary, wonderful "Satchmo," Louis Armstrong, from the world of jazz. Musical interests vary widely in the affluent neighborhood of Hellerup. At the Schmidt wine merchant's, son Peter has only one interest: jazz. At the Supreme Court lawyer's house next door, Mozart is on the program. But his daughters like both jazz and Peter! Even though their fathers are suing each other, the two young people still find each other. And Louis helps when he plays "The Formula for Love."

A soldier seeks justice against a group of men who murdered a prostitute.

Det Støver Stadig (It's Still Dusting) is the second film in the popular "Dust series" (Støv På Hjernen, Støv For Alle Pengene). Once again, Arvid Müller and Aage Stentoft wrote the festive script, which introduced new customs and traditions to the Danish housing market. The small community in the "sleepy town" is easily recognizable, but major changes have taken place since last time, because the residents of Solvænget have—with municipal support—bought the property they live in, and (something completely new at the time) the wives have had to take jobs to make ends meet! Mrs. Rigmor Hansen is absolutely brilliant as the manager of a Quick laundry. Her "truths" about the new everyday life in Denmark are crystal clear—and eternally young. The property's first general meeting with the guys in the stairwell – and the presentation of the first annual accounts – are golden scenes from the golden age of Danish family films.

Olaf Ussing is the old chamberlain who lives in the castle with his three unmarried daughters – Malene Schwartz, Lone Hertz and Mimi Heinrich. On the neighbouring estate lives Poul Reichhardt, a wealthy bachelor with a butler – festively played by Ole Monty. A couple of dubious suitors for the lovely young ladies are Preben Neergaard and Preben Mahrt – and a former admirer is Henning Palner.

Under the city's roofs, life goes on in a motley manner. It alternates with tears and smiles, with happiness and sadness. In the artist restaurant "Mona Bar" in the inner city, the former model Mona Frank acts as the goddess of artists. She helps with both money and heartache. Among the many artists, Niels Brandemose has his own face. He has recently come to the city to attend the Academy, and his whole desire and desire is to become a painter.

A gentle comedy offering the promise of easy social consensus. Harry (Helmuth) is a simple old-time shop porter offered a chance at self-realisation when he's bequeathed a sum by an unknown relative (via several levels of fiscal blood suckers). He decides to engage a butler to take good care of him for a time. This is a man of distinguished upper class service, but a generous nature which happily integrates with Harry's small but colourful world of drinking buddies and crackpot neighbourhood kids.

Based on Leif Panduro's 1958 satire classic. David, a senior high-school student, aims a swift kick at his principal's behind and is committed to a psychiatric ward from the perspective of which he takes a close look at his allegedly sane family. They, of course, are the real loonies. The psychiatrists are worse. Only lovely class-mate Lis is down-to-earth and trustworthy.

At the dinner for their school's 100th anniversary, three old schoolmates meet. All three have done well in life, for Eyvind is now a respected judge, Herluf the stern director of a glassworks and Ove the owner of a printing house. In the time after the dinner, the coincidences of the three men's lives will become entangled in a way none of them could have foreseen. Fortunately, they still have their old principal in the background to pull the strings.

Honor, morality and the "right" outlook on life are paramount. And these concepts were by no means something to be made fun of, which can be somewhat annoying when you remember that this film is based on the English play "Bank Holiday", which took a good English fart on virtues and morality. Inger Holst is a nursing student who, at a party, meets the unreal Jørgen Frandsen, who invites her to a "festive night" one weekend at a hotel in Tisvilde. However, a tragic incident occurs at the hospital where she works. The incident involves the young widower, engineer Berg, whom she has come to know as a fine, real and sympathetic person. Inger's compassion makes her offer to give up her weekend trip and stay with him.