Selected works of Ukrainian queer artist AntiGonna, the pioneer of post-pornographic art in Ukraine.

Film hurls us into a sensually lo-fi, subterranean maelstrom of visual and aural sex-positive excess that recalls (and rivals) Hieronymous Bosch, Derek Jarman and the Kuchars.

Film hurls us into a sensually lo-fi, subterranean maelstrom of visual and aural sex-positive excess that recalls (and rivals) Hieronymous Bosch, Derek Jarman and the Kuchars.

Film hurls us into a sensually lo-fi, subterranean maelstrom of visual and aural sex-positive excess that recalls (and rivals) Hieronymous Bosch, Derek Jarman and the Kuchars.

Film hurls us into a sensually lo-fi, subterranean maelstrom of visual and aural sex-positive excess that recalls (and rivals) Hieronymous Bosch, Derek Jarman and the Kuchars.

An ordinary young woman runs away from the war in Ukraine and tries to find her place and adapt in the Venise, but a terrible post-war trauma prevents the heroine from realizing her dream to be a famous actress and even removing her human identity...

An ordinary young woman runs away from the war in Ukraine and tries to find her place and adapt in the Venise, but a terrible post-war trauma prevents the heroine from realizing her dream to be a famous actress and even removing her human identity...

An ordinary young woman runs away from the war in Ukraine and tries to find her place and adapt in the Venise, but a terrible post-war trauma prevents the heroine from realizing her dream to be a famous actress and even removing her human identity...

The protagonist is an artist who reevaluates his identity. He is into self-harm as a way to punish his “masculinity”. After another session (documented instances of self-harming action), he dresses in drag and goes to the party. At first, he escapes into the fantasy of safety and freedom, but eventually and abruptly is brought back to reality as the phantasm of masochism takes shape.

The protagonist is an artist who reevaluates his identity. He is into self-harm as a way to punish his “masculinity”. After another session (documented instances of self-harming action), he dresses in drag and goes to the party. At first, he escapes into the fantasy of safety and freedom, but eventually and abruptly is brought back to reality as the phantasm of masochism takes shape.