A continuation of "Diary for My Children," the film picks up in 1950, when Juli, the diarist, is 18 and determined to become a movie director.

This story follows a young student, who is orphaned as she grows to adulthood in the shadow of the 1956 Hungarian uprising. Coming from the Communist intelligentsia, she sees her friends and family react differently. Her lover, a married factory manager, supports the patriots and later assists fellow workers in staging a strike. Meanwhile her sister and others express anger at being forced from their homes during the revolution and continue to express a hatred for the rebels afterwards. But in the end they realize that for all people, real life is not possible after the revolt and its brutal suppression by the Soviets and their collaborators.

Jancsó’s farce, similar to the previous ones, is about our time and about death. Pepe marries into a family of mafiosi, with the father-in-law rolling in money. In a joint venture they establish the first Hungarian Prison Limited company, where there is a menu, the prisoners are residents, and they furnish the place of execution for those volunteering to execute themselves. It turns out that the first voluntary hanging should be demonstrated on Pepe. In 180 AD Emperor Marcus Aurelius is dying in Vindobona, being fed with blades of hay by uncle Miki himself, and his son Kornél Mundruczó. Kapa provides for communication: he insists on telling lies, lies and again lies. Furthermore, there are several to die and to revive, to win and to lose, and Melancholy Béla is still alive.

Kim Jameson is a university professor while Kate Jameson - also known as Dominique, Kim’s twin sister - is a troubled model working in Paris. Kate is a drunk, in desperate need of rehabilitation. Kim checks her twin sister into a rehab center, agreeing to fill in for Dominique during her absence, but by doing so takes on more than she bargained for.

What is the connection between the bloody gang war that once raged over control of the Chicago fish market, the decades of terror perpetrated by the Chinese, Russian, and Italian mafias, the secret operations of the CIA and the KGB, the Cuban revolution, and the Kennedy assassination? And who is the 100-year-old monk who is revered as a saint in a Nepalese monastery and in whose body the presence of a strange crystal can be detected? Szilveszter Siklósi's thrilling "documentary" provides striking and convincing answers to questions that have preoccupied the world's public for nearly a generation.

Hellboy, his pyrokinetic girlfriend, Liz, and aquatic empath, Abe Sapien, face their biggest battle when an underworld elven prince plans to reclaim Earth for his magical kindred. Tired of living in the shadow of humans, Prince Nuada tries to awaken an ancient force of killing machines, the all-powerful Golden Army, to clear the way for fantasy creatures to roam free. Only Hellboy can stop the dark prince and prevent humanity's annihilation.

The second film in Miklós Jancsó's documentary series Message of Stones.

This drama follows the dilemma of a young, unwillingly pregnant wife who gives her child up for adoption by a businesswoman. Anna doesn't need another mouth to feed. She can barely afford to care for the two she already has so when she discovers that she is six weeks pregnant she readily accepts the cash offer from Terez, her tough boss at the store where she works. If she will isolate herself throughout the pregnancy, secretly bear the child and immediately allow Terez to sign for it, Anna will receive $50,000. Most of the story then focuses upon Anna's emotional processes as she evaluates her choice. Included are dream segments and shots an unborn baby in the womb.

Rich Hungarian-born orphan Katya Davidov commissions Jordan Kirkland to research her past starting from a photograph, showing her as a child next to an elusive Fabergé music box. Luckily experienced Yankee-Hungarian treasure hunter and womanizer Nick Rostov gently forces his help upon her, although Jordan stubbornly risks dealing with his dodgy competitor Gudrun Kuper and her ruthless employer, count Borodin.

János Kitka Jr, first seen in Schiffer's documentary 'Black Train' a decade earlier, is now 17 and is just released from a youth detention centre. He returns to his village and is put in the care of a probation officer. However, his family doesn't seem to help his situation, but rather makes him run away from home.