The undersea world has often been depicted as a dangerous place filled with lethal predators. A world where sharks are mindless eating machines. A world where the only relationship between species is that big fish eat little fish. Of course, stories of sensational danger and violent predation are seductive to wildlife film audiences. But is that what the ocean is really like?

An undocumented immigrant finds a human heart in one of the toilets of the west London hotel where he works with other undocumented immigrants.

When a mysterious caller plants a bomb under his car seat, a bank executive begins a high-speed chase across the city to complete a specific series of tasks — all with his kids trapped in the back seat.

A man's search for his wife leads him on a strange and unsettling journey. A story of lost love and parallel lives, of those that have disappeared and the ones who must find them.

A meeting in a London bus with jewel thief Lady Christina takes a turn for the worse for the Doctor when the bus takes a detour to a desert-like planet, where the deadly Swarm awaits.

New York City writer Iris finds her comfortable, solitary life thrown into disarray after her closest friend and mentor bequeaths her a Great Dane named Apollo. The huge dog immediately creates practical problems for Iris, from furniture destruction to eviction notices, as well as more existential ones. Yet as Iris finds herself unexpectedly bonding with Apollo, she begins to come to terms with her past, and her own creative inner life.

Anthony Sher and Harriet Walter star in a highly-acclaimed screen version of William Shakespeare's classic story of tyranny and ambition. On the stage this Royal Shakespeare Company presentation was universally lauded. Following sell-out seasons at Statford's Swan Theatre and in London, the production played Japan and in the United States, where The New York Times praised director Gregory Doran's interpretation as a "harrowing and disturbingly funny parable for the dawn of the 21st century". To make this compelling screen version, Gregory Doran worked with all of the original cast and filmed at London's Roundhouse. Brilliantly shot by director of photography Ernie Vincze, the production uses the edgy techniques of fly-on-the-wall documentaries. The effect is raw, intimate and strikingly dynamic.

A unique story told by nine different actors which explores the haunting of a conscience by lost souls that won't let go.

With a name like Chlamydia Love, it comes as no surprise that the young lady in question is considered to be the office slut. Her colleagues also do not miss an occasion to ridicule her when she talks about her imaginary prince on a white horse. Chlamydia couldn’t care less. She just has to jump into a flushing toilet bowl to meet her beloved, the handsome surgeon Algernon Hertz. But her precious prince keeps her waiting and locals turn out to be a whole lot more savage that what is mentioned in the glossy tourist brochures. Chlamydia has to go on the run and ends up in the lair of the misanthropic scientist Helmut Mandragorass, a specimen of the male race not exactly blessed with dashing looks as his protruding forehead dwarves everything else. Paradise isn’t always what it seems to be.

A London policeman returns to the estate where he grew up to investigate the murder of a young boy. Adapted by the playwright from his 2002 play.