After a young boy captures a rare butterfly in Nagasaki, a caterpillar begins a relay-trip toward the northern tip of Hokkaido, serving as a silent witness to a series of vignettes featuring people struggling with the psychological and social scars of post-war Japan.

Tormented by his first sexual stirrings, the teenager Isao dreams every night of his gym teacher Ikuko. He finally opens her heart but she rejects his advances. Frustrated, Isao invents all sorts of stratagies to disgust Ikuko´s fiance, a professor of chemistry in the same school. As his plan fails, he plans a radical solution...and the results turns out to be...

A savage look at food and sex, helms this black comedy about Japan's sizable and often beleaguered Korean-Japanese community. Motomi Hayashi (Eri Yu), a producer who is thoroughly dedicated to her career, returns to her abode to discover that her porn star sister (Ichio Matsuda) is going to make a film about her family's first reunion in 20 years. Motomi is less than thrilled with the prospect, seeing as all is not well at the Hayashi household. Motomi's father recently got canned from his longtime job at a Pachinko parlor, while her mother secretly plans to mortgage the house to finance her affair with a younger lover. Motomi grows more uneasy when she learns that the porn director in charge of the undertaking is known for mixing fact with fantasy.

Sisterhood is powerful. Before leaving for a mission in Africa, Runa, a nun, visits her sister three years after entering the convent when her sister stole Runa's boyfriend. Runa comes to forgive and to help her sister make enough money buying and selling some convent property so she can marry. The old boyfriend has new women in his life, but he and the sister tell Runa they're a couple in order to keep the property deal. To make even more money, Runa's sister wheedles large gifts from various men she's stringing along. There are flashbacks to Runa's sexual awakening at the convent. But what are her real reasons to close this deal?

Shoko and Tomoko, who are in their third year of high school, and Nami, a first year, set up Sukeban Co., Ltd. and start their business by arbitrating between biker gangs. Meanwhile, Ryu from the Kumazasa-gumi asks for a prostitute, but Tomoko, who is still a virgin, accepts the request on her own. Next, they get a big job transporting drugs, but...

A woman is kidnapped by a mysterious sex trafficking ring and trained to be a sex slave. Despite the abuse she remains defiant.

At the beginning of the Showa era, a man who was captivated by a girl he saw through a telescope locked her in a "painting". Visualization based on Rampo's "Oshie and Traveling Man". Released in 1994 to commemorate the 100th anniversary of Rampo's birth.

Three sisters live alienated existences in modern day Tokyo. One works as a secretary, one is a prostitute, and one is a criminal. The secretary is cynically unhappy with the sexist business world which limits her opportunities for advancement and makes her a target for her lecherous boss. The prostitute lives an aimless life, drifting between men, and often the target of either police or jealous wives. The criminal, who lives by disrupting the society which oppresses her two sisters, is the only happy one of the three.

The film is based on 17th century Chinese erotic novel by Li Yu best known as The Carnal Prayer Mat. Mio is a struggling writer who writes a pornographic book entitled Flesh Futon which becomes a surprise best seller. With his newfound wealth, Mio begins indulging in the nightlife, excusing his activities to his wife by saying it is for research. Mio's reputation comes crashing down when a prostitute reports that his penis is like a "guppy". More bad luck follows. His book is banned, and his wife puts him on a short leash. At the height of his misfortune, his house is robbed. Mio meets the robber who turns out to be the Japanese folk-hero Nezumi Kozō. The two become friends, and Kozō introduces Mio to a doctor who can perform penis-enlargement surgery. With his new equipment, Kozō and Mio become frequenters of the red-light district, until the real Nezumi Kozō appears, and evil luck returns to Mio.