Disappointed by leftists politics this last few years, PAP'40 of the Church of the Holy $aint Con$umption decide to run for presidential election of 2022 to fix the country. He meets his electorate and other candidates to spread the word : Work, Obey, Consume !

We follow the build-up and training of two opposite Belgian political parties. We see their leaders during meetings, during voting and after when the results of the elections are published.

Noël Godin and his supporters throw a pie with cream into the face of Daniel Toscan du Plantier in the Palace of the Film Festival of Cannes 1996.

Two men, fifty years young, seduce younger women at the Cannes Film Festival and are quite successful as long as there are no youngsters among them.

Director Jan Bucquoy has a bunch of actors read from the Guy Debord novel which shares the same title. Slowly but surely real life an Debord's reflections upon it start to diffuse.

The Antics Roadshow is a celebration of the pranksters, hoaxers, jokers, activists and stunt merchants who use public space for their own unauthorised ends. This film brings together a wide range of individuals with all sorts of motivations, who have all hijacked the public arena to make a noise, be it for comedic, artistic or political ends, and have all done so using a variety of illicit and eccentric methods, which the audience should probably not try at home.

An ageing punk-with-a-dog and his brother the conformist decide to get their revenge on a shopping mall. Directing duo Benoit Delepine and Gustave Kervern, longstanding comic crusaders against capitalism, again set out to surprise and shock the bourgeois audience.

A cinematographic “cadavre exquis”, whose entrails reveal the odd nature of a (un)certain Belgian cinema. Authors, directors, actors who have proved that imposture could be an act of creation. Convinced that any so-called “new” cinematographic production was in fact a rehash of what had already been made, these pirates of images snuck as forgers, liars, tricksters, usurpers, … Outlaws of the cinema who falsified its form. From the filmed imposture of Man Bites Dog to Jan Bucquoy’s fabulist biopic, everything participates in the dynamiting of institutional language through simulacrum and absurdity. This free journey in the “cine-belgitude” has for vocation to approach these marvellous eccentrics followers of a overexcited and stripping situationism.

Television segment for Canal+, with Noël Godin

A bourgeoisie client is transformed into a mouse and cannibalized by a prostitute in flagrante delicto with the camera changing focus in time to her breathing.