
Acting
Noé Hernández Álvarez was born on November 10, 1969 in Atitalaquía, Hidalgo, the son of peasant parents. He studied Dramatic Arts at the Universidad Autónoma del Estado de México. He was about to enroll to become a lawyer, but changed his mind at the last minute after flipping through the school brochure since he used to act in theatrical production while in high school. After graduating in 1994, he became a high school teacher for seven years in Toluca and at the same time founded an experimental theater group, then moved to Mexico City as he wanted to act in films. Hernandez spent three years attending three or four casting calls a week, until he signed a contract to do a commercial and then a small role in the film Propiedad Ajena in 2007. The following year, she had her first supporting role in the film Espiral (2008) and then a 40-second role in the film Sin Nombre, directed by Cary Fukunaga. He then appeared in supporting roles in the films Vaho (2010), Somos Lo Que Hay(2010) and El Infierno (2010). During the filming of Sin Nombre, Hernández met filmmaker Gerardo Naranjo, who years later offered her the leading role in Miss Bala,45 which was written by Naranjo and Mauricio Katz, the film is about a beauty pageant contestant, played by Stephanie Sigman. In 2024 he won the Ariel Award for Best Actor for his role in Kokoloko.

When Lucia's father dies, she is left alone with her three servants: the maid, the gardener and the driver, Lazaro, who has a latent crush on her. Lazaro's infatuation becomes an obsession as the hierarchies of the household shift and might allow him to act on his desire.

A man searches for his father, Pedro Páramo, in a town doomed by violence and the fury of a frustrated love.

The story of a young woman clinging on to her dream to become a beauty contest queen in a Mexico dominated by organized crime.

Nicaragua, today. Eleven-year-old María lives with her mother Lilibeth on the edge of an immense rubbish dump. Their future depends on selling a litter of purebred puppies to a local gang member. When the deal falls through, Lilibeth has to move to the outskirts of the city and leave María to work at a recycling factory. The days go by with no sign of her mother's return. María feels abandoned, confused and angry. One night she meets Tadeo, a kind and romantic boy determined to help her find her mother.

While staying at a tropical resort, a man becomes convinced the American timeshare company running it has an evil plan to take away his loved ones.

The discovery of a diary, written in 1848 in Texas, Mexican territory, triggers Miranda Sámano's decision to travel, illegally to that land, in search of her roots and her origin and to unravel the mysteries written by Amalia Sámano in that diary. The love affair that Miranda has with Matt in Texas seems to be the continuation of the one that Doña Amalia and the Houston army colonel Robert Crossman had almost 160 years ago; and it definitely resembles the relationship that Mexico and the United States have had throughout history and whose tragic outcome we can avoid if we do an exercise of our memory.

On May 5th, 1862, a few thousand Mexican soldiers put their lives on the line against the world's largest and most powerful army in one legendary battle for freedom and for Mexico.

A short film directed by Marlon Lara

A young woman returns to her rural Mexican village after a few years away to find out if her first love can be revived.

After suffering a traumatic loss, Juan attempts to find solace in the vastness of the sea. There a miraculous event promises to reverse everything...but at what cost?

The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.






