An anthology of two highly experimental apocalyptic fantasy dramas with sci-fi and psychological horror elements. Originally intended to comprise a third story, 'Sifr' ['Zero'], directed by Nagi Angelo, the film was banned outright by the Egyptian censors and may not have had its domestic premiere until it was broadcast on satellite television in November 2012.

The life story of the artist Badia Masabni, from her childhood, through her rape in her hometown in Lebanon, her migration to Egypt, her work as a dancer, her marriage to Najib Al-Rihani, her work as an actress, their divorce, the withholding of taxes on her theater, her selling of the theater to the dancer Biba, her escape with her money to Lebanon, her birthplace, and her death alone.

The film's events revolve around a family consisting of seven children, and the work discusses the problems of each son, such as Nabila, whose husband refuses to have children and threatens to separate her when he learns of her pregnancy, as well as the problems of university students between ambition and love. The film reviews the difficulties that parents face in bearing the burdens of their children.

Alaa lives and grows up in a forest in Africa, and before the death of his father, the ruler of the African country in which he and his son live recommends the necessity for Alaa to return to Egypt, and after his return Alaa finds it very difficult to adapt to the new situation in which he finds himself, until he finds a girl who teaches him to read And writing, and a love story arises between him and her.

Hosni heads a dangerous gang, forcing him to leave his daughter Madiha with her uncle in order to see her, Tawfiq. Hosni's behavior changes and he behaves abhorred, but when he returns to see his daughter another change occurs, she gives him moments of tenderness and warmth that he misses, so he decides to migrate that gang and repent, and he proposes a sermon in praise, but the gang will not leave him alone.