Sexy Sunita, who hails from a rich family, is mesmerised by Gopal's music. Their interactions over time compel them to believe they were lovers in their past lives.

Eldest brother brings up the orphaned brother single handed along with his (later) second wife's child-widow cousin. When they grow up and marry, the new wives break the family, will it rejoin? At what cost?

Balohari Majumdar residing in Bhowanipore wants his daughter to become a great singer. One day Balohari's daughter Disha and her teacher sang a song. Disha and her music teacher Tablu loved each other. Balohari does not approve, Tablu runs away and loses his job. Then Balohari became angry and he told everyone he needed a married music teacher with his wife. In the meantime, a local singer named Pradip needed a job. One day, he went to a club (three-not-three) function at Ranaghat. At the function he met Sikha. Sikha needed 30,000 rupees immediately to repay the loan taken by her brother for getting a job from Chanu Bose who was the son of the local Panchayat who had given them a year time to repay the loan otherwise he would marry Sikha whereas Pradip needed an immediate job.

A 1964 Bengali drama directed by Sushil Majumdar.

Mani Kanchan is a film about a brother-sister duo name Kanchan and Mani. They face hardships after their sexually aroused father remarries. Unable to pay a huge amount of debt, the incompetent father fixes his well-educated daughter’s marriage to the mentally unstable son of the money lender.

Darakeshwar (Mithun) and Anu (Swetha) are father and daughter. Tragedy strikes as Anu drowns in Keleghai river. Now Darakeshwar's only goal is to rename the river Keleghai as Anjana in memory of his loving daughter.

The story centers around a character named Ram, a mischievous and cunning teenager who keeps the villagers on their toes with his antics. He steals fruit from trees, fish from ponds, and seems to get into constant trouble. Ram's brother, Shyam, works for the local zamindar (landlord) and has a domineering wife named Narayani. One day, Ram gets into a fight with the zamindar's son, which leads to Narayani taking a stand and refusing to speak to Shyam. Disappointed by this turn of events, he realizes his mistake when he loses the trust of his relatives and decides to leave the village, relinquishing all his property to his nephew, and move to his mama's house. What unfolds next is the heart of the story. It is likely to explore themes of family dynamics, social class, and the consequences of Ram's actions.

An invaluable emerald was stolen from Lord Krishna's temple on an island. A detective agency investigates.

Khoka is a schoolboy who goes to his uncle's house, where he learns about the tales of Padi Pishi (Aunt Padi), a formidable widow. She had once gone to Khuro's house to meet him, but bandits attacked her. When Khuro got to know about it, he offered her bribes from his loot so that the news would not be public. Padi Pishi then took a precious Burmese box that was hidden in Khuro's house. Before Padi's Pishi's death, she did not reveal the hiding place to anyone except her son Goja. The entire family searched for the missing box but could not recover it. A private detective also searched for the box but could not find it. The story is about how it is finally discovered. Padi Pishir Barmi Baksha is an Indian Bengali adventure comedy film directed by Arundhati Devi. It is based on the children's novel of the same name by Leela Majumdar.

A 1973 Bengali Comedy Film directed by Chidananda Dasgupta. The remake of the Silent Comedy Bengali Film Bilet Pherat (1921), directed by Nitish Chandra Lahari.