A 28-year-old I.T. geek suddenly finds himself the object of affection for five attractive women within the same year. The quintet share virtually no similar traits except one quirky thing: they all live in remote corners of Hong Kong.

On the night before Yuet's wedding, best friends Nam and Yuet recall their time together in school, when they shared a relationship that was more than friendship, but also perhaps not quite love.

Two high school students from very different backgrounds participate in a musical with mentally disabled children, which eventually leads to the realisation of their dreams and aspirations.

The financial analysis of a Chinese IT firm has been stolen, and a senior executive at the investment bank that wrote it must pay a ransom before the confidential report is released to the public. However, eyebrows are raised when the thieves ask for a surprisingly low amount for the ransom. What are the thieves really after?

Love is a long road with moments of separation and reunion. Even an experienced driver must remember safety first and keep the clutch in check to avoid repeating the same mistakes in love. CHAN, a middle-aged man with several different types of driver’s license, is dissatisfied with young hearse driver Zi-ling’s driving skills, so he takes over the position. Two people who lost their better halves embark on a journey of life and death, healing, guilt, and letting go. The film depicts this road trip romance through a series of analogies related to modes of transportation, filling the screen with scenery on the roads of Hong Kong. The film, with its ambitious production scale, also charts the social changes of Hong Kong since the turn of the century.

If a goddess has come down to earth, could she bring back lost time for man? Ning takes a substitute teaching position at a rural school, hoping to find inspiration for her novel from nature. One day after class, students Richard and LAM Mak-noeng, a mysteriously masked girl who shares the same name as the Empress of Heaven, come to her for help. It turns out that Mak-noeng is about to disappear. Faced with such an ethereal problem, Ning takes on the responsibility of a storyteller and seeks a happy ending for this heavenly romance. The director, who has always been interested in urban issues, has continued to mix historical and fantastical elements like he has done with Interview with Lo-Ting: An Oral History Project (2022). A modern love story with celestial inspiration, the film gently caresses the remnants of our city and the melancholy of lonely souls.

“Every man has his own destiny: the only imperative is to follow it, to accept it, no matter where it leads him.” Inside an after-hours bowling alley, a counselling session is underway with the attendances discussing the various merits and drawbacks of execution strategies and the prevention of occupational hazards. A man offers to play the flute and all hell breaks loose from there. The weapon is a folded chair, the victims his fellow professionals and the crime is predestined by karma. As the camera lingers on the gory actions, set to offbeat music and at times muted and occurring out-of-frame, a foreboding, dark and somewhat sinister overtone hangs heavy in the air. In a profession such as his, life is predestined by karma and choice is not an option.

Lee Sin-yu wants to make a documentary about a friend and his dementia grandfather, who would occasionally say that his wife is "Lo Ting". Lee Sin-yu set out for the fishing village of Tap Mun to begin filming, and starts to understand the dark side of Lo Ting that has been hidden in history.

It all begins with an affair staged at a traditional Chinese funeral offerings store with the leading actress being the boss’s wife. Witnessed by an unidentified pair of eyes, the affair is followed by the sudden death of the boss caused by a bowl of soybean pudding. He is desperate to know the truth about the affair in his afterlife. Eventually he is brought back to the piece of memory that entangles among two boys and a girl, on fighting for their pride through a slingshot battle against the boss of students.

Chun and Jane are siblings. They were very close as children, but after Jane graduated and started working, while Chun stayed at school for his PhD and spent most of his time in the dorm, they gradually drifted apart. One morning, Jane receives news that her brother has committed suicide. While handling his affairs, she discovers that he had already bought insurance, suggesting he had planned this for some time. To find out the reason behind his death, Jane uses his computer and starts messaging his friends on social media, slowly rediscovering the brother she once knew. In the end, Jane realizes that her search for answers was not only for her brother—and the culprit was never just one person.