A heartwarming tale about a beloved father who is trying to cope with cultural clashes, loss and the search for love in average Swedish society.

Two girls from different backgrounds, one an immigrant from Turkey and the other a girl who needs to get out of her father's shadow, apply to the police academy, where they become close friends.

Adapted from a series of short stories by Norwegian author Levi Henriksen, Bent Hamers Home for Christmas weaves together the lives of people struggling to find their way home on a Christmas Eve, beneath the colors of the Northern Lights. The plot unfolds during a few afternoon hours on Christmas Eve. The individual stories, which at times intertwine, are set in the small town Skogli. The characters in the stories cover a great range in age and life situations, representing both reconciliation with their own lives and strong frustration. Some show the will to understand and do something about their lives, while others have given up. Deeply tragic and melancholy aspects are mixed with humour and rather frivolous solutions.

Ture's parents just never listen. Even though he's asked them hundreds of times to stop stealing, it'll take 20,000 volts to get their attention.

A choir of young women gives a guest performance in a country church outside Ystad. But when an 18-year-old member of the choir disappears, Wallander is brought in to investigate.

When Manfred Stjarne is stabbed to death outside the Brada cider factory his wife Claire has inherited - suspicion falls on Polish worker Jan Kowalski, with whose wife Manfred was having an affair, but Jan is found hanged - later evidence suggesting foul play. Benjamin Wilkes, an ex-psychologist who helped Manfred select redundancy candidates, is killed in the same way as Manfred, putting disgruntled ex-Brada employees in the frame, but a third slaying implicates a former patient of Wilkes, who has connections to the Stjarne family. A newly loved-up Isabelle and Pontius start to fool around whilst on surveillance, taking their eye off the ball and allowing this suspect to confront Claire.

Kurt Wallander has bought a dream house by the sea, but his peace and quiet is soon shattered when a man is murdered and an explosion in one of Ystad's power grids shuts down the electricity in the whole city.

One hot day, Helena locks her 18 month old daughter Molly in her new Porsche. In the large car park, Helena desperately tries different ways of getting her out without damaging her car.

Homes are being burgled in Ystad and three neighbors form their own vigilante group. Soon Wallander is convinced the group has committed a double murder, although no bodies have been found.

The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge