This film is a homage to the life, career and fears of Slovenian actor Peter Musevski. He was always Pero for me, not Peter.

It is 1976 in Yugoslavia. Brotherhood and unity is also evident on the local radio station, where everyone is rejoicing. Namely, they received the award for the most homogeneous collective. The most homogeneous collective, however, soon begins to disintegrate, as it turns out that the award is in fact intended for the best individual.

The story follows the usual workday of taxi driver Aleš Križnik, who could be described as an educated, probably graduated economist, owner of a once successful company, which unfortunately failed. As a taxi driver, he meets all sorts of people, and one late evening he takes one last call ...

The paths of two girls cross one evening in Ljubljana. Tina, a Slovene, and Iben, a Danish girl of similar age, both experiencing some kind of turning point in their lives, open up to one another and soon develop a close bond...

Three friends embark on a road trip like in high school, but things have changed - Gregor is going to war mission, Ziva is going to study abroad, while Andrej is still the same. There are secrets left unsaid. Can their friendship survive?

Luka (19) is leaving a youth care centre, his only sanctuary for the past nine years, after his mother and relatives abandoned him. His wish is to find out where his father is buried. At his work, he falls in love with a lively girl named Ajda (19), and they begin a relationship together. While searching for answers from his past, Luka finds out a shocking family secret. He finds his only solace in the love he has for Ajda. He wants to move in with her, but Ajda hides her true feelings from him. Luka soon finds out that Ajda holds a family secret, too.

Vid is talented but spoiled young man smothered in his affection to the adoring mother and heedless of his aloof father. His grandfather is benevolent but self-important patriarch and his new girlfriend is a creature of voluptuous innocence wrestling with the torment of a dysfunctional home. These are main characters in a story of strained love and spiraling desire. Characters reveal inexorable issues- baggage that they brought with them. Ultimately this baggage becomes a ruinous burden.

After an assassination attempt, a broke mob wife takes over his husband's dirty work and collects her husband's debt with the help of her best friend - a hairdresser and her step daughter.

Home is where fear is. A young, successful woman is the first and only resident of a new development next to a park, where overnight tents with refugees appear. If nobody means no harm, why, then, do their paths cross and the situation gets tragically out of control?

Documentary film explores the role of women in the Slovenian film and is also looking for reflections in the film classics of the constant changing position of women in the society. Documentary also refers to popular and lesser-known women's roles in the history of Slovenian film, heroines in the literal sense, typical roles in many partisan films, as well as the established cliches: a suffering mother, adulteress, gossip. Through interviews with the actresses, theorists and artists as well as analyzing the most common phrases expressed by women in the Slovenian films, the film tries to reveal the true Slovenian film heroine.