16-year-old Andrian lives in Transnistria. At school he has problems with his peers, and at home with his parents. Andrian, who used to sing in the church choir, secretly dreams of ditching everything and going away with a friend to Italy, which he sees as a symbol of freedom from the present hopelessness. But there comes the Holy Week which will forever change his life.

Kolya and Sasha hide away in an old lodge in the middle of the forest. They are in love, and the world around seems strange and wonderful. But the idyll of the sunny summer days is continually disturbed by nightmares. Sasha dreams that she is submerged by a huge wave. Once they meet a mysterious married couple living in the neighbourhood. The Man and the Woman are very much like the young lovers. With their help, they try to understand their feelings.

Slava is a girl who is used to living with emotions, her actions are impulsive and unpredictable. On New Year's Eve, she makes a wish that her husband Valya will become a cool startup in Silicon Valley, and she is "just" a superwoman who will save the world. But time passes, and the miracle does not happen, and Slava, having collected things, leaves her husband. However, the wish made becomes fatal: everything starts to work out for Valya, and Slava continues to live with the expectation that the world will revolve around her.

This is a story about grown children. Adults in their 10 years. Cigarettes and alcohol, rudeness and childish immediacy, these few words can describe the world in which Nikita lives. He has 4 grades of elementary school behind him, but now it’s not up to school anymore, he has to earn money and take care of his alcoholic mother. Nikitin's comrades are also "children of the streets." What we called "happy childhood" seems to be losing relevance. And does Nikita need it?

An ordinary chocolate factory worker begins to hear the voices of extraterrestrial civilizations, and habitual tenor of her life starts changing rapidly.

An ordinary chocolate factory worker begins to hear the voices of extraterrestrial civilizations, and habitual tenor of her life starts changing rapidly.

In Russia, an introverted father and his teenage daughter live on the road in a van that contains their entire life, including the equipment for a travelling cinema: the source of their meager income. Povolotsky builds on the undeniable art of the long take, on both the scale of the imposing landscapes and the tight interior of their cramped vehicle. The nameless father and daughter rove around the extremities of their vast country, from south to north. On its margins, the pulse of independent drifters who endure and resist.

The Northerners is a cycle of film essays with a focus on northern individualism. Each one of the three parts plays out in different places around the Kola Peninsula over one day. The story revolves around the everyday life of three people who share no formal ties. Igor, who belongs to a dynasty of pilots, is a polar aviation squad commander; Vasily is a tug master at Murmansk’s commercial port; Volodya is a woodcutter, leader of a logging guild. Like most of those living in the north of Russia, they came here for work, and though they weren’t initially planning on staying, they ended up staying forever.

A husband, a wife and another woman. Only three are in the frame.

Tushetian shepherds guide thousands of sheep along an ancient migratory route between mountains and deserted steppes, following seasonal rhythms in a landscape where traditional movement meets a rapidly changing world.