Stillness of Labor replicates 12 full-scale rooms using objects extracted from an abandoned garment factory in Tennessee to mirror the environment of the laborers. When labor was outsourced in 1998, the rural community was left without work in a town centered around industry. Larson recreates the architecture of the factory as a study of the anthropogenic imprint humans leave behind in spaces of heavy repetition.

13 ten-second long shots of 13 different roads in Otter Tail County, Minnesota. A tribute to James Benning and a dedication to Peter Hutton, who died during the filming.

An essay documentary about Paul Ingram, the former sheriff of Olympia, Washington. Paul was sent to jail in 1988 for sexually assaulting his daughters in satanic rituals. He is the only person in the modern era to be accused of and confess to being a part of a satanic ritual abuse cult. The film explores the complexities of the criminal case through primary police documents, recordings of Paul's interrogations and speculative dramatizations, finally probing at the unsettling symmetry between Paul's unstable memory and our own civic forgetfulness. Through archival newscasts and a 16mm historical walking tour, the film is ultimately concerned with the occult nature of memory and the very real monsters within ourselves.

An essay documentary about Paul Ingram, the former sheriff of Olympia, Washington. Paul was sent to jail in 1988 for sexually assaulting his daughters in satanic rituals. He is the only person in the modern era to be accused of and confess to being a part of a satanic ritual abuse cult. The film explores the complexities of the criminal case through primary police documents, recordings of Paul's interrogations and speculative dramatizations, finally probing at the unsettling symmetry between Paul's unstable memory and our own civic forgetfulness. Through archival newscasts and a 16mm historical walking tour, the film is ultimately concerned with the occult nature of memory and the very real monsters within ourselves.

An essay documentary about Paul Ingram, the former sheriff of Olympia, Washington. Paul was sent to jail in 1988 for sexually assaulting his daughters in satanic rituals. He is the only person in the modern era to be accused of and confess to being a part of a satanic ritual abuse cult. The film explores the complexities of the criminal case through primary police documents, recordings of Paul's interrogations and speculative dramatizations, finally probing at the unsettling symmetry between Paul's unstable memory and our own civic forgetfulness. Through archival newscasts and a 16mm historical walking tour, the film is ultimately concerned with the occult nature of memory and the very real monsters within ourselves.